Wednesday, November 30, 2011

JBuds J5 Earbud-style Metal Headphones for iPod, iPad, Tablet, Kindle (Black Pearl)

  • The 5th anniversary model of the best-selling JBuds line
  • Ergonomically engineered for a soft, ultra comfortable fit
  • Incredibly smooth wide range titanium micro drivers
  • All aluminum construction with four footKevlar reinforced cable and rugged, firm flexing joints
  • Includes four different sized tips, cable clip, and JLab's world-class warranty and service
No Description Available
No Track Information Available
Media Type: CD
Artist: FIRM
Title: FIRM
Street Release Date: 07/07/1987
Domestic
Genre: ROCK/POPWhen Mitch McDeere signed on with Bendini, Lambert & Locke of Memphis, he thought that he and his beautiful wife, Abby, were on their way. The firm leased him a BMW, paid off his school loans, arranged a mortgage, and hired the McDeeres a decorator. Mitch should have remembered what ! his brother Rayâ€"doing fifteen years in a Tennessee jailâ€"already knew: You never get nothing for nothing. Now the FBI has the lowdown on Mitch’s firm and needs his help. Mitch is caught between a rock and a hard place, with no choiceâ€"if he wants to live.Hard to believe, but there was a time when the word "lawyer" wasn't synonymous with "criminal," and the idea of a law firm controlled by the Mafia was an outlandish proposition. This intelligent, ensnaring story came out of nowhere--Oxford, Mississippi, where Grisham was a small-town lawyer--and quickly catapulted to the top of the bestseller list, with good reason. Mitch McDeere, the appealing hero, is a poor kid whose only assets are a first-class mind, a Harvard law degree, and a beautiful, loving wife. When a Memphis law firm makes him an offer he really can't refuse, he trades his old Nissan for a new BMW, his cramped apartment for a house in the best part of town, and puts in long hours finding tax sh! elters for Texans who'd rather pay a lawyer than the IRS. No! thing cr iminal about that. He'd be set for life, if only associates at the firm didn't have a funny habit of dying, and the FBI wasn't trying to get Mitch to turn his colleagues in. The tempo and pacing are brilliant, the thrills keep coming, and the finish has a wonderful ironic flourish. It's not hard to see why Grisham changed the genre permanently with this one, and few of his colleagues in a very crowded field come close to equaling him. --Jane AdamsJLab marks the 5th anniversary of the best-selling JBuds line with the striking new J5. Benefiting from five years of evolution in design, sound quality, durability, and comfort, the J5 earbuds-style headphones represent the most universally appealing JBuds ever. JLab continues to refine our signature sound, fueled by a dialogue with thousands of customers on how different JBuds models translate their favorite tracks and genres. The J5's titanium micro drivers deliver an incredibly smooth and consistent response acros! s the entire frequency curve, from deep, rich bass to full, luscious mids and crisp, vibrant highs. The all new 45° angle jack leverages the strength of pure metal with the durability of flexing rubber. The Y joint features the rugged exoskeleton pioneered on the J4, now more compact. The lightweight cable is reinforced with Kevlar for optimum flexibility and strength. Sleek housing ergonomics deliver an ultra comfortable fit with a satin soft feeling inside the ear. The J5 is so comfortable, you can barely feel you're wearing earbuds. The rear bass port offers the optimal mix of airflow to the drivers through an inset rear chrome grill inspired by Italian supercars. The front housing sports a contrasting metal bling ring, protective front chrome grill, and JLab's classic sound tube, compatible with our double flange tips. Crafted from solid aluminum and polished with a silky anodized finish, the J5 is available in an array of sinful colors. 24 karat gold plated 3.5 mm jac! k for premium, lossless connection. Details include laser engr! aved log os and custom '5' strain relief. Includes 4 pairs of silicone cushions as well as a clip for securing the cable. Compatible with JLab's sport ear hooks. Compatible with Kindle Fire, iPad, iPod, tablets, MP3 players, and other devices with a standard 3.5 mm jack. Also available with mic (J5M) for use with mobile phones and tablets. Backed by JLab's limited one year warranty and world-class support.

Boys and Girl from County Clare Beautiful MUSEUM WRAP CANVAS Print with Added BRUSHSTROKES Unknown 11x17

  • Title: Boys and Girl from County Clare
  • Artist: Unknown
  • MUSEUM WRAP Canvas - Added Brush Strokes (SPECIAL NOTE: BELOW)
  • Image Size: 11.00in. x 16.36in.
  • Paper Size: 11.00in. x 17.00in.
BOYS AND GIRL FROM COUNTY CLARE - DVD MovieTitle: Boys and Girl from County Clare. Artist: Unknown. Image Size: 11.00in. x 16.36in. Paper Size: 11.00in. x 17.00in. Beautiful MUSEUM WRAP CANVAS Print with Added BRUSHSTROKES

The Canvas Transfer Process

Producing a canvas transfer is an intensely detailed process, which begins with an art print (ink on paper). Special chemicals are applied which, when dried, form a film that is meticulously separated from the paper and permanently embedded onto a high quality artist canvas. The canvas is then carefully stretched and wrapped around a sturdy, custom-cut inner support frame, called a "stretcher bar". Added brushstrokes are also care! fully painted on to the canvas.

Ready to Hang

Canvas is wrapped around the stretcher bars and stapled on the back. White canvas will show on the sides and no part of the image is lost during this wrapping process. The stretcher bar on the back of the canvas has a saw-tooth hanger, making it ready to hang on your wall. The canvas texture and non-reflective nature of a canvas transfer allows you to hang them under any lighting conditions. A canvas transfer has a lifespan as long as any original painting or work of art. They can easily be dusted and cleaned with a damp cloth, giving years of use and enjoyment.

Easily Framed

Since there is no need to cover a canvas transfer with glass, having your canvas transfer framed is easy and cost effective.

SPECIAL NOTE REGARDING MUSEUM WRAPS

If your order contains a border around the main design of the image, it WILL BE cropped off. This will occur if there is a white, black orother colored border around the main image. An! y text that appears in the border WILL also be cropped off as ! well. < p>Cropping will REDUCE the overall size of the Museum Wrap from the dimensions stated above.

We CANNOT REFUND orders where there is a misunderstanding about this process.

-

The Human Centipede

  • HUMAN CENTIPEDE, THE (DVD MOVIE)
100% Medically accurate.
The compelling simplicity of Saw. The stylish dread of Eraserhead. The black humor of A Nightmare On Elm Street. Those are the benchmarks of horror that the outrageous Dutch film The Human Centipede matches. The plot is diabolically simple: two stranded American tourists are given shelter by a famed German doctor (a maniacally intense Dieter Laser) who made his fortune surgically separating conjoined twins. Now his mad genius is pushing the doctor to do the reverse. He tells the women that they will be surgically attached to a Japanese businessman mouth to buttocks, one after the other and thus will be born a new creature: the human centipede! Compellingly perverse, hilarious, and shockingly straightforward, Dutch director Tom Six s new film is hands-down the most memorable horror film of the year.Equal parts Cronenbergian body hor! ror, perverse fetish film, and E.C. Comics-style gross-out, The Human Centipede is Dutch director Tom Six's uniquely macabre endurance test for fans of modern fright fare. What's surprising about the picture isn't the premise--its story, about a madder-than-mad doctor (German actor Dieter Laser) who unites two American tourists (Ashley C. Williams and Ashlynn Yennie) and a Japanese counterpart (Akihiro Kitamura) in a hideous surgical procedure that creates the title monstrosity, was broadcast in detail across the Internet prior to its international theatrical screenings--but rather, the degree of reserve Six applies to depicting every excruciating detail. That's not to say that Human Centipede is a bloodless affair, but Six relies more on the physical endurance and talent of his actors to present the mortal terror of their predicament, which in turn offers a more terrifying experience for the viewer than anything dreamed up by a special effects team. The appro! ach also makes up for some of the more crassly exploitive mome! nts in t he film, like the doctor's relentless abuse of his creation, which is largely clad only in filthy underwear, and Laser's occasional overacting, which at its most heated, suggests an unholy, highly medicated hybrid of Klaus Kinski, Lance Henriksen, and the late Howard Vernon's awful Dr. Orlof. Obviously, this is not for the casual horror fan, and most definitely not for the squeamish; more hard-core types should find their nerves thoroughly rattled by the time the film reaches its darker-than-dark conclusion. A final, disturbing note: the complete title is The Human Centipede (First Sequence); a planned sequel reportedly promises a 12-segment (gulp) creation. --Paul Gaita

Celtic Woman: Songs From The Heart

  • DVD
  • Celtic Woman
  • Format DVD
GRACE OF MY HEART - DVD MovieThe traditions of old-fashioned melodrama are given a hip facelift in this homage to the Brill Building era (the late 1950s to the early 1970s) of pop-music glory, providing a perfect match between writer-director Allison Anders and her excellent cast. Illeana Douglas plays a singer-songwriter (loosely modeled after Brill recording artist Carole King) whose life runs emotionally parallel to popular music trends. John Turturro is a stand-in for "wall of sound" producer Phil Spector and Matt Dillon is a thinly disguised version of maverick Beach Boy Brian Wilson. It's a bit too schematic in the way the central character is always in the right place at the right time, but as a tale of fame and romantic highs and lows in the '50s and '60s the movie is funny, touching, and sincere. It's a lively and loving tribute to timeless! music and the colorful characters who created it. --Jeff Shannon A terrific sampler of greatest hits from the heyday of girl groups and the Brill Building--except that none of the songs are actually from that era. What we have here is an incredible simulation--from Allison Anders' unjustly overlooked 1996 movie about the tempestuous life and career of a Carole King- like singer-songwriter (the magnificent Illeana Douglas) who spends years writing for others before finding her own voice. But instead of just licensing the old Shirelles' recordings of Goffin-King hits, the filmmakers came up with the brilliant idea of doing original songs by combining the sensibilities of contemporary artists and their songwriting forebears. So, for example, Elvis Costello and Burt Bacharach teamed up to write and perform the power- ballad "God Give Me Strength" (although I wish they'd also included Douglas's even more moving version from the picture); Leslie Gore te! ams with Larry Klein and David Baerwald for "My Secret Love" ! (perform ed by Miss Lily Banquette of Combustible Edison); Gerry and Louise Goffin team with Baerwald for "Between Two Worlds" (performed by Sean Colvin); J. Mascis of Dinosaur Jr. writes and sings some Brian Wilson/Beach Boys-type stuff ("Take a Run at the Sun," "Don't You Think It's Time"), and so on. Buy the record; see the movie. You won't be disappointed. --Jim EmersonTracks: God Give Me the Strength-Burt Bacharach & Elvis Costello, Love Doesn't Ever Fail Us-Williams Brothers, Take a Run at the Sun-J Mascis, I Do-For Real, Between Two Worlds-Shawn Colvin, My Secret Love-Lily Banquette, Man From Mars-Kristen Vigard, Born to Love that Boy-For Real, Truth is You Lied-Jill Sobule, Unwanted Number-For Real, Groovin on You-Juneo, In Another World-Portrait, Don't You Think It's Time-J Mascis, Absence Makes the Heart-Tiffany Anders & Boyd Rice, A Boat on the Sea-Kristen VigardThe traditions of old-fashioned melodrama are given a hip facelift in this homage to the Brill Bu! ilding era (the late 1950s to the early 1970s) of pop-music glory, providing a perfect match between writer-director Allison Anders and her excellent cast. Illeana Douglas plays a singer-songwriter (loosely modeled after Brill recording artist Carole King) whose life runs emotionally parallel to popular music trends. John Turturro is a stand-in for "wall of sound" producer Phil Spector and Matt Dillon is a thinly disguised version of maverick Beach Boy Brian Wilson. It's a bit too schematic in the way the central character is always in the right place at the right time, but as a tale of fame and romantic highs and lows in the '50s and '60s the movie is funny, touching, and sincere. It's a lively and loving tribute to timeless music and the colorful characters who created it. --Jeff Shannon The 1996 film "Grace of My Heart" was directed by Allison Anders and starred Illeana Douglas, Sissy Boyd, and Christina Pickles. The story of its original motion picture soundtrack! CD is rather tortured: Supposedly Joni Mitchell's version of ! the song "Man From Mars" was to be included in the film; Kristen Vigard's version was used instead, but somehow the soundtrack includes Mitchell's version (even though it lists Vigard as the performer). Kind of complicated. This flubbed pressing, apparently recalled after one week, has a catalog number of MCAD 11510. Also included on the CD are songs by the following performers: Burt Bacharach and Elvis Costello ("God Give Me Strength"), the Williams Brothers ("Love Doesn't Ever Fail Us"), J Mascis ("Take a Run at the Sun" and "Don't You Think It's Time"), For Real ("I Do"), Shawn Colvin ("Between Two Worlds"), Miss Lily Banquette of Combustible Edison ("My Secret Love"), For Real ("Born to Love That Boy" and "Unwanted Number"), Jill Sobule, who also appears in the film ("Truth Is You Lied"), Juned ("Groovin' On You"), Portrait ("In Another World"), Tiffany Anders and Boyd Rice ("Absence Makes the Heart Grow Fonder"), and Kristen Vigard ("A Boat on the Sea").Track Listing:
1. T! he Call
2. Fields of Gold
3. When You Believe
4. The Coast of Galiçia
5. The New Ground - Isle of Hope, Isle of Tears
6. Non C’è Piú
7. True Colours
9. Galway Bay
10. Goodnight My Angel
11. O, America!
12. Níl Sé’n Lá
13. The Last Rose Fantasia
14. The Moon’s a Harsh Mistress
15. My Lagan Love
16. Amazing Grace
17. Pie Jesu
18. Slumber My Darling / The Mason’s Apron
19. Danny Boy
20. You Raise Me Up
21. Finale / Mo Ghile Mear

Disturbia [Blu-ray]

  • UK Import
  • Blu-ray
  • Region-Free
After his father’s accidental death, Kale (Shia LaBeouf) remains withdrawn and troubled. When he lashes out at a well-intentioned but insensitive teacher, he finds himself under a court-ordered house arrest. His mother continues to cope, working extra shifts to support herself and her son, as she tries in vain to understand the changes in his personality. The walls of his house begin to close in on Kale as he takes chances to extend the boundaries both physical and emotional â€" of his confinement. His interests turn outside the windows of his suburban home toward those of his neighbors, including a mutual attraction to the new girl next door (Sarah Roemer). Together, they begin to suspect that another neighbor is a serial killer. Are their suspicions merely the product of Kale’s cabin fever and vivid imagination? Or have they unwittingly! stumbled across a crime that could cost them their lives?Alfred Hitchcock fans may experience déjà vu upon exposure to this voyeuristic thriller. That's because director DJ Caruso (The Salton Sea) and co-writer Carl Ellsworth (Red Eye) use Rear Window as a jumping-off point before cherry-picking from more recent scare fare, like The Blair Witch Project. In the prologue, 17-year-old Kale (Shia LaBeouf, Holes) loses his beloved father to a car crash. A year passes, and he's still on edge. When a teacher makes a careless remark about his dad, Kale punches him out, and is sentenced to house arrest. After his mom (Carrie-Anne Moss, Memento) takes away his Xbox and iTunes privileges, the suburban slacker spies on his neighbors to pass the time. In the process, he develops a crush on Ashley (Sarah Roemer, The Grudge 2), the hot girl next door, and becomes convinced that another, the soft-spoken Mr. Turner (David Morse, The Gre! en Mile), is a serial killer. With the help of the flirtat! ious Ash ley, practical joke-playing pal Ronnie (Aaron Yoo), and an array of high-tech gadgets, like cell-phone cameras and digital camcorders, Kale sets out to solve a major case without leaving his yard (a feat that would prove more challenging for a less affluent sleuth). In the end, it's pretty familiar stuff, but there are plenty of scares once Turner realizes he's being watched, and rising star LaBeouf, who next appears in Michael Bay's Transformers, makes for an engaging leading man--despite his character’s propensity for slugging Spanish instructors. --Kathleen C. Fennessy

Beyond Disturbia


Why We Love Shia LaBeouf

The Soundtrack

Rear Window

Stills from Disturbia (click for larger image)










After his father’s accidental death, Kale (Shia LaBeouf) remains withdrawn and troubled. When he lashes out at a well-intentioned but insensitive teacher, he finds himself under a court-ordered house arrest. His mother continues to cope, working extra shifts to support herself and her son, as she tries in vain to understand the changes in his personality. The walls of hi! s house begin to close in on Kale as he takes chances to extend the boundaries both physical and emotional â€" of his confinement. His interests turn outside the windows of his suburban home toward those of his neighbors, including a mutual attraction to the new girl next door (Sarah Roemer). Together, they begin to suspect that another neighbor is a serial killer. Are their suspicions merely the product of Kale’s cabin fever and vivid imagination? Or have they unwittingly stumbled across a crime that could cost them their lives?Alfred Hitchcock fans may experience déjà vu upon exposure to this voyeuristic thriller. That's because director DJ Caruso (The Salton Sea) and co-writer Carl Ellsworth (Red Eye) use Rear Window as a jumping-off point before cherry-picking from more recent scare fare, like The Blair Witch Project. In the prologue, 17-year-old Kale (Shia LaBeouf, Holes) loses his beloved father to a car crash. A year passes, ! and he's still on edge. When a teacher makes a careless remark! about h is dad, Kale punches him out, and is sentenced to house arrest. After his mom (Carrie-Anne Moss, Memento) takes away his Xbox and iTunes privileges, the suburban slacker spies on his neighbors to pass the time. In the process, he develops a crush on Ashley (Sarah Roemer, The Grudge 2), the hot girl next door, and becomes convinced that another, the soft-spoken Mr. Turner (David Morse, The Green Mile), is a serial killer. With the help of the flirtatious Ashley, practical joke-playing pal Ronnie (Aaron Yoo), and an array of high-tech gadgets, like cell-phone cameras and digital camcorders, Kale sets out to solve a major case without leaving his yard (a feat that would prove more challenging for a less affluent sleuth). In the end, it's pretty familiar stuff, but there are plenty of scares once Turner realizes he's being watched, and rising star LaBeouf, who next appears in Michael Bay's Transformers, makes for an engaging leading man--despite his c! haracter’s propensity for slugging Spanish instructors. --Kathleen C. Fennessy

Beyond Disturbia


Why We Love Shia LaBeouf

The Soundtrack

Rear Window

Stills from Disturbia (click for larger image)










After his father’s accidental death, Kale (Shia LaBeouf) remains withdrawn and troubled. When he lashes out at a well-intentioned but insensitive teacher, he finds himself under a court-ordered house arrest. His mother continues to cope, working extra shifts to support herself and her son, as she tries in vain to understand the changes in his personality. The walls of his house begin to close in on Kale as he takes chances to extend the boundaries both physical and emotional â€" of his confinement. His interests turn outside the windows of his suburban home toward those of his neighbors, including a mutual attraction to the new girl next door (Sarah Roemer). Together, they begin to suspect that another neighbor is a serial killer. Are their suspicions merely the product of Kale’s cabin fever and vivid imagination? Or have they unwittingly stumbled across a crime! that could cost them their lives?Alfred Hitchcock fans may ex! perience déjà vu upon exposure to this voyeuristic thriller. That's because director DJ Caruso (The Salton Sea) and co-writer Carl Ellsworth (Red Eye) use Rear Window as a jumping-off point before cherry-picking from more recent scare fare, like The Blair Witch Project. In the prologue, 17-year-old Kale (Shia LaBeouf, Holes) loses his beloved father to a car crash. A year passes, and he's still on edge. When a teacher makes a careless remark about his dad, Kale punches him out, and is sentenced to house arrest. After his mom (Carrie-Anne Moss, Memento) takes away his Xbox and iTunes privileges, the suburban slacker spies on his neighbors to pass the time. In the process, he develops a crush on Ashley (Sarah Roemer, The Grudge 2), the hot girl next door, and becomes convinced that another, the soft-spoken Mr. Turner (David Morse, The Green Mile), is a serial killer. With the help of the flirtatious Ashley, practical joke-playi! ng pal Ronnie (Aaron Yoo), and an array of high-tech gadgets, like cell-phone cameras and digital camcorders, Kale sets out to solve a major case without leaving his yard (a feat that would prove more challenging for a less affluent sleuth). In the end, it's pretty familiar stuff, but there are plenty of scares once Turner realizes he's being watched, and rising star LaBeouf, who next appears in Michael Bay's Transformers, makes for an engaging leading man--despite his character’s propensity for slugging Spanish instructors. --Kathleen C. Fennessy

Beyond Disturbia


Why We Love Shia LaBeouf

The Soundtrack
!
Rear Window

Stills from Disturbia (click for larger image)






!




After his father’s accidental death, Kale (Shia LaBeouf) remains withdrawn and troubled. When he lashes out at a well-intentioned but insensitive teacher, he finds himself under a court-ordered house arrest. His mother continues to cope, working extra shifts to support herself and her son, as she tries in vain to understand the changes in his personality. The walls of his house begin to close i! n on Kale as he takes chances to extend the boundaries both ph! ysical a nd emotional â€" of his confinement. His interests turn outside the windows of his suburban home toward those of his neighbors, including a mutual attraction to the new girl next door (Sarah Roemer). Together, they begin to suspect that another neighbor is a serial killer. Are their suspicions merely the product of Kale’s cabin fever and vivid imagination? Or have they unwittingly stumbled across a crime that could cost them their lives?Alfred Hitchcock fans may experience déjà vu upon exposure to this voyeuristic thriller. That's because director DJ Caruso (The Salton Sea) and co-writer Carl Ellsworth (Red Eye) use Rear Window as a jumping-off point before cherry-picking from more recent scare fare, like The Blair Witch Project. In the prologue, 17-year-old Kale (Shia LaBeouf, Holes) loses his beloved father to a car crash. A year passes, and he's still on edge. When a teacher makes a careless remark about his dad, Kale punches him ! out, and is sentenced to house arrest. After his mom (Carrie-Anne Moss, Memento) takes away his Xbox and iTunes privileges, the suburban slacker spies on his neighbors to pass the time. In the process, he develops a crush on Ashley (Sarah Roemer, The Grudge 2), the hot girl next door, and becomes convinced that another, the soft-spoken Mr. Turner (David Morse, The Green Mile), is a serial killer. With the help of the flirtatious Ashley, practical joke-playing pal Ronnie (Aaron Yoo), and an array of high-tech gadgets, like cell-phone cameras and digital camcorders, Kale sets out to solve a major case without leaving his yard (a feat that would prove more challenging for a less affluent sleuth). In the end, it's pretty familiar stuff, but there are plenty of scares once Turner realizes he's being watched, and rising star LaBeouf, who next appears in Michael Bay's Transformers, makes for an engaging leading man--despite his character’s propensity ! for slugging Spanish instructors. --Kathleen C. Fennessy

Beyond Disturbia


Why We Love Shia LaBeouf

The Soundtrack

Rear Window

Stills from Disturbia (click for larger image)

!










fter his father's accidental death, Kale (Shia LaBeouf) remains withdrawn and troubled. When he lashes out at a well-intentioned but insensitive teacher, he finds himself under a court-ordered house arrest. His mother continues to cope, working extra shifts to support herself and her son, as she tries in vain to understand the changes in his personality. The walls of his house begin to close in on Kale as he takes chances to extend the boundaries both physical and emotional - of his confinement. His interests turn outside the windows of his suburban home toward those of his neighbors, including a mutual attraction to the new girl next door (Sarah Roemer). Together, they begin to suspect that another neighbor is a serial killer. Are their suspicions merely the product of Kale's cabin fever and vivid imagination? Or have they unwittingly stumbled across a crime that could cost them their lives?Alfred Hitchcock fans may experience déjà vu upon exposure to this voye! uristic thriller. That's because director DJ Caruso (The Salton Sea) and co-writer Carl Ellsworth (Red Eye) use Rear Window as a jumping-off point before cherry-picking from more recent scare fare, like The Blair Witch Project. In the prologue, 17-year-old Kale (Shia LaBeouf, Holes) loses his beloved father to a car crash. A year passes, and he's still on edge. When a teacher makes a careless remark about his dad, Kale punches him out, and is sentenced to house arrest. After his mom (Carrie-Anne Moss, Memento) takes away his Xbox and iTunes privileges, the suburban slacker spies on his neighbors to pass the time. In the process, he develops a crush on Ashley (Sarah Roemer, The Grudge 2), the hot girl next door, and becomes convinced that another, the soft-spoken Mr. Turner (David Morse, The Green Mile), is a serial killer. With the help of the flirtatious Ashley, practical joke-playing pal Ronnie (Aaron Yoo), and an ar! ray of high-tech gadgets, like cell-phone cameras and digital ! camcorde rs, Kale sets out to solve a major case without leaving his yard (a feat that would prove more challenging for a less affluent sleuth). In the end, it's pretty familiar stuff, but there are plenty of scares once Turner realizes he's being watched, and rising star LaBeouf, who next appears in Michael Bay's Transformers, makes for an engaging leading man--despite his character’s propensity for slugging Spanish instructors. --Kathleen C. Fennessy

Beyond Disturbia


Why We Love Shia LaBeouf

The Soundtrack

Rear Window

Stills from Disturbia (click for larger image)











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