Monday, November 14, 2011

Charlie and the Great Glass Elevator

  • ISBN13: 9780142410325
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Willy Wonka's famous chocolate factory is opening at last! But only five lucky children will be allowed inside. And the winners are: Augustus Gloop, Veruca Salt, Violet Beauregarde, Mike Teavee, and Charlie Bucket, Our Hero, a boy who is honest and kind, brave and true, and good and ready for the wildest time of his life!Charlie and the Chocolate Factory and its sequel, Charlie and the Great Glass Elevator, along with Roald Dahl's other tales for younger readers, make him a true star of children's literature. Dahl seems to know just how far to go with his oddball fantasies; in Charlie and the Chocolate Factory, for example, nasty Violet Beauregarde blows up into a blueberry fr! om sneaking forbidden chewing gum, and bratty Augustus Gloop is carried away on the river of chocolate he wouldn't resist. In fact, all manner of disasters can happen to the most obnoxiously deserving of children because Dahl portrays each incident with such resourcefulness and humor.

Charlie and the Chocolate Factory is a singular delight, crammed with mad fantasy, childhood justice and revenge, and as much candy as you can eat. The book is also available in Spanish (Charlie y la Fabrica de Chocolate). (The suggested age range for this book is 9-12, but nobody this reviewer has met can resist it, including New York City bellhops, flight attendants, and grumpy teenagers.) Fantasy Adventure. Acclaimed director Tim Burton brings his vividly imaginative style to the beloved Roald Dahl classic Charlie and the Chocolate Factory, about eccentric chocolatier Willy Wonka (Depp) and Charlie, a good-hearted boy from a poor family who lives in the shadow! of Wonka's extraordinary factory. Long isolated from his own ! family, Wonka launches a worldwide contest to select an heir to his candy empire. Five lucky children, including Charlie, draw golden tickets from Wonka chocolate bars and win a guided tour of the legendary candy-making facility that no outsider has seen in 15 years. Dazzled by one amazing sight after another, Charlie is drawn into Wonka's fantastic world in this astonishing andenduring story.Mixed reviews and creepy comparisons to Michael Jackson notwithstanding, Tim Burton's splendidly imaginative adaptation of Charlie and the Chocolate Factory would almost surely meet with Roald Dahl's approval. The celebrated author of darkly offbeat children's books vehemently disapproved of 1971's Willy Wonka and the Chocolate Factory (hence the change in title), so it's only fitting that Burton and his frequent star/collaborator, Johnny Depp, should have another go, infusing the enigmatic candyman's tale with their own unique brand of imaginative oddity. Depp's pale, androgynous! Wonka led some to suspect a partial riff on that most controversial of eternal children, Michael Jackson, but Burton's film is too expansively magnificent to be so narrowly defined. While preserving Dahl's morality tale on the hazards of indulgent excess, Burton's riotous explosion of color provides a wondrous setting for the lessons learned by Charlie Bucket (played by Freddie Highmore, Depp's delightful costar in Finding Neverland), as he and other, less admirable children enjoy a once-in-a-lifetime tour of Wonka's confectionary wonderland. Elaborate visual effects make this an eye-candy overdose (including digitally multiplied Oompa-Loompas, all played by diminutive actor Deep Roy), and the film's underlying weirdness is exaggerated by Depp's admirably risky but ultimately off-putting performance. Of course, none of this stops Burton's Charlie from being the must-own family DVD of 2005's holiday season, perhaps even for those who staunchly defend Gene Wild! er's portrayal of Wonka from 34 years earlier. --Jeff Shann! onSu mmary:
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About the Author:

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Author: Roald Dahl
Illustrator:0
Publisher:Knopf Books for Young Readers
Published Date:09/11/2001
Format:Hardcover
ISBN:0375815597
#of pages:#N/A
Deliciously madcap mayhem and out-of-this-world fantasy--this is what you'll find within the casing of this boxed set of two of Roald Dahl's most brilliant creations: Charlie and the Chocolate Factory and Charlie and the Great Glass Elevator.

For decades, delighted readers of all ages have explored Willy Wonka's fabulous chocolate factory, met the Oompa Loompas, and sampled the chocolate river along with Augustus Gloop. And later, they have zoomed off into the stratosphere in the most remarkable elevator ever created. Now, a new generation of readers barely needs to pause between the first and the second of Roald Dahl's masterful volumes. Hardcover editions of each title, illustrated of course ! by the incomparable Quentin Blake, are tucked in a handy cardboard sleeve, ready for the next set of hungry eyes. Sadly, the convenience of the set is counterbalanced by the poor quality of the paper used for the books. Classics like these deserve thick, creamy, opaque pages; not the flimsy, rough, semitransparent sheets used here. (Ages 7 and older) --Emilie CoulterA poor little boy wins a ticket to visit the inside of a mysterious and magical chocolate factory. When he experiences the wonders inside the factory, the boy discovers that the entire visit is a test of his character.Having proven itself as a favorite film of children around the world, Willy Wonka & the Chocolate Factory is every bit as entertaining now as it was when originally released in 1971. There's a timeless appeal to Roald Dahl's classic children's novel, which was playfully preserved in this charming musical, from the colorful carnival-like splendor of its production design to ! the infectious melody of the "Oompah-Loompah" songs that punct! uate the story. Who can forget those diminutive Oompah-Loompah workers who recite rhyming parental warnings ("Oompah-Loompah, doopity do...") whenever some mischievous child has disobeyed Willy Wonka's orders to remain orderly? Oh, but we're getting ahead of ourselves ... it's really the story of the impoverished Charlie Bucket, who, along with four other kids and their parental guests, wins a coveted golden ticket to enter the fantastic realm of Wonka's mysterious confectionery. After the other kids have proven themselves to be irresponsible brats, it's Charlie who impresses Wonka and wins a reward beyond his wildest dreams. But before that, the tour of Wonka's factory provides a dazzling parade of delights, and with Gene Wilder giving a brilliant performance as the eccentric candyman, Wonka gains an edge of menace and madness that nicely counterbalances the movie's sentimental sweetness. It's that willingness to risk a darker tone--to show that even a wonderland like Wonka'! s can be a weird and dangerous place if you're a bad kid--that makes this an enduring family classic. --Jeff Shannon

Features include:

รข€¢MPAA Rating: PG
รข€¢Format: Blu-Ray
รข€¢Runtime: 115 minutes
Mixed reviews and creepy comparisons to Michael Jackson notwithstanding, Tim Burton's splendidly imaginative adaptation of Charlie and the Chocolate Factory would almost surely meet with Roald Dahl's approval. The celebrated author of darkly offbeat children's books vehemently disapproved of 1971's Willy Wonka and the Chocolate Factory (hence the change in title), so it's only fitting that Burton and his frequent star/collaborator, Johnny Depp, should have another go, infusing the enigmatic candyman's tale with their own unique brand of imaginative oddity. Depp's pale, androgynous Wonka led some to suspect a partial riff on that most controversial of eternal children, Michael Jackson, but Burton's film is too expansively ma! gnificent to be so narrowly defined. While preserving Dahl's m! orality tale on the hazards of indulgent excess, Burton's riotous explosion of color provides a wondrous setting for the lessons learned by Charlie Bucket (played by Freddie Highmore, Depp's delightful costar in Finding Neverland), as he and other, less admirable children enjoy a once-in-a-lifetime tour of Wonka's confectionary wonderland. Elaborate visual effects make this an eye-candy overdose (including digitally multiplied Oompa-Loompas, all played by diminutive actor Deep Roy), and the film's underlying weirdness is exaggerated by Depp's admirably risky but ultimately off-putting performance. Of course, none of this stops Burton's Charlie from being the must-own family DVD of 2005's holiday season, perhaps even for those who staunchly defend Gene Wilder's portrayal of Wonka from 34 years earlier. --Jeff Shannon

DVD features
The second disc is filled with a number of distinctive featurettes. The likely crowd-pleaser in most households is "Attack of t! he Squirrels," which recounts how those fuzzy little creatures (a combination of hard-to-train live animals, animatronics, and computer graphics) can be ornery in their own right. "The Fantastic Mr. Dahl" is a 17-minute look at author Roald Dahl through vintage footage and new interviews with family, friends, and colleagues. "Becoming Oompa-Loompa" follows Deep Roy as he is filmed over and over again through his dance steps and music performances.

Roy is a constant throughout the kids' activities as well. You can follow him to learn two different dance steps "Augustus Gloop" and "Violet Beauregarde," and make him taste weird candy inventions in a simple game. "Search for the Golden Ticket" is a five-part challenge that tests your remote-control fingers, your deductive abilities, or your luck. Finally, if you just want basic behind-the-scenes information, "Making the Mix" is a collection of featurettes (around 40 minutes total) covering the film's casting, music, produ! ction design, and special effects. --David HoriuchiWe r! ecommend you read this unit on your kindle machine with a 1 font for best viewing
This unit study offers many wonderful activities to use while having students read the book. There are between 6 and 10 lessons. Activities in this lesson include Fill in the Blank, Multiple Choice, True and False, Comprehension, Encyclopedia Skills Activity, Journal Activity, Vocabulary, Sequencing, Handwriting, Main Idea, Prediction, Comparison

Literature Skills Activities including: Main Character, Main Setting, Main Problem, Possible Solutions, Character Traits, Character Interaction, Cause and Effect, Description, Pyramid of Importance, Villain vs. Hero.

Creative Writing Activities including: Letter, Fairy Tale, Mystery, Science Fiction, Fable, Dream or Nightmare, Tall Tale, Memoir, Newberry Award, A Different Ending.

Writing Skills Activities including: Description, Expository, Dialogue, Process, Point of View, Persuasion, Compare and Contrast, Sequel, Climax! and Plot Analysis.

Poetry Skills Activities including: Couplet, Triplet, Quinzain, Haiku, Cinquain, Tanka, Diamantรƒƒร‚©, Lantern and Shape Poem.

Create a Newspaper Layout Activities including: Editorial, Travel, Advice Column, Comics, Society News, Sports, Obituary, Weddings, Book Review, Want Ads, Word Search.

Poster Board Activities including: Collage, Theater Poster, Wanted Poster, Coat of Arms, Story Quilt, Chalk Art, Silhouette, Board Game Construction, Door Sign, Jeopardy.

We also offer more activities including instructions for a lapbook at our home site. If you purchase this unit study and let us know by sending us proof of purchase, we will download this unit in PDF version to you which has more activities and the lapbook instructions.

We recommend you read this unit on your kindle machine with a 1 font for best viewing
This unit study offers many wonderful activities to use while having students read the ! book. There are between 6 and 10 lessons. Activities in this l! esson in clude Fill in the Blank, Multiple Choice, True and False, Comprehension, Encyclopedia Skills Activity, Journal Activity, Vocabulary, Sequencing, Handwriting, Main Idea, Prediction, Comparison

Literature Skills Activities including: Main Character, Main Setting, Main Problem, Possible Solutions, Character Traits, Character Interaction, Cause and Effect, Description, Pyramid of Importance, Villain vs. Hero.

Creative Writing Activities including: Letter, Fairy Tale, Mystery, Science Fiction, Fable, Dream or Nightmare, Tall Tale, Memoir, Newberry Award, A Different Ending.

Writing Skills Activities including: Description, Expository, Dialogue, Process, Point of View, Persuasion, Compare and Contrast, Sequel, Climax and Plot Analysis.

Poetry Skills Activities including: Couplet, Triplet, Quinzain, Haiku, Cinquain, Tanka, Diamantรƒƒร‚©, Lantern and Shape Poem.

Create a Newspaper Layout Activities including: Editorial, Travel, Advice Colum! n, Comics, Society News, Sports, Obituary, Weddings, Book Review, Want Ads, Word Search.

Poster Board Activities including: Collage, Theater Poster, Wanted Poster, Coat of Arms, Story Quilt, Chalk Art, Silhouette, Board Game Construction, Door Sign, Jeopardy.

We also offer more activities including instructions for a lapbook at our home site. If you purchase this unit study and let us know by sending us proof of purchase, we will download this unit in PDF version to you which has more activities and the lapbook instructions.

A poor little boy wins a ticket to visit the inside of a mysterious and magical chocolate factory. When he experiences the wonders inside the factory, the boy discovers that the entire visit is a test of his character.Having proven itself as a favorite film of children around the world, Willy Wonka & the Chocolate Factory is every bit as entertaining now as it was when originally released in 1971. There's a timeless ap! peal to Roald Dahl's classic children's novel, which was playf! ully pre served in this charming musical, from the colorful carnival-like splendor of its production design to the infectious melody of the "Oompah-Loompah" songs that punctuate the story. Who can forget those diminutive Oompah-Loompah workers who recite rhyming parental warnings ("Oompah-Loompah, doopity do...") whenever some mischievous child has disobeyed Willy Wonka's orders to remain orderly? Oh, but we're getting ahead of ourselves ... it's really the story of the impoverished Charlie Bucket, who, along with four other kids and their parental guests, wins a coveted golden ticket to enter the fantastic realm of Wonka's mysterious confectionery. After the other kids have proven themselves to be irresponsible brats, it's Charlie who impresses Wonka and wins a reward beyond his wildest dreams. But before that, the tour of Wonka's factory provides a dazzling parade of delights, and with Gene Wilder giving a brilliant performance as the eccentric candyman, Wonka gains an edge ! of menace and madness that nicely counterbalances the movie's sentimental sweetness. It's that willingness to risk a darker tone--to show that even a wonderland like Wonka's can be a weird and dangerous place if you're a bad kid--that makes this an enduring family classic. --Jeff Shannon

Twice turned into a feature film, Charlie and the Chocolate Factory is a delectable classic about a child's dreams and the eccentric chocolate-maker who makes them come true. When Willy Wonka's hallowed chocolate factory holds a worldwide contest awarding tours to the lucky, five children emerge as winners, including a glutton, a gum- chewing nitwit, a spoiled brat, and a TV addict. Only Charlie Bucket, the story's earnest hero, stands to win the exotic riches of Wonka's empire-if he avoids the pitfalls of his fellow contestants and stays true to his heart. Ingenious and entertaining, Charlie and the Chocolate Factory is a true modern classic.

Charlie and Willy Wo! nka are back, this time in a fantastic journey to outer space ! in their glass elevator.Picking right up where Charlie and the Chocolate Factory left off, Charlie and the Great Glass Elevator continues the adventures of Charlie Bucket, his family, and Willy Wonka, the eccentric candy maker. As the book begins, our heroes are shooting into the sky in a glass elevator, headed for destinations unknown. What follows is exactly the kind of high-spirited magical madness and mayhem we've all come to expect from Willy Wonka and his creator Roald Dahl. The American space race gets a send-up, as does the President, and Charlie's family gets a second chance at childhood. Throw in the Vermicious Knids, Gnoolies, and Minusland and we once again witness pure genius. (Ages 9 to 12)

The Other Side of Sadness: What the New Science of Bereavement Tells Us About Life After Loss

  • ISBN13: 9780465021901
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
In 1989, a 6-year-old boy is lured into the vehicle of a stranger. The stranger is a serial killer with a tendency of butchering teenage girls. In the basement of a rural Pennsylvania slaughterhouse, he will teach the boy everything he knows. Five years later, teen Allison (Alexandra Daddario of Hall Pass) comes to live with her uncle (Michael Biehn of The Terminator) following her parents' death. In time, she will discover the boy and his madman mentor. And they will all be plunged into an unimaginable evil from which there may be no escape. Nolan Gerard Funk (Deadgirl), Brett Rickaby (The Crazies), Valentina de Angelis (Gossip Girl) and John Savage (Th! e Deer Hunter) co-star in this graphic and acclaimed shocker from writer/director Stevan Mena about family, torment, and the nightmare absolution that is Bereavement.In 1989, a 6-year-old boy is lured into the vehicle of a stranger. The stranger is a serial killer with a tendency of butchering teenage girls. In the basement of a rural Pennsylvania slaughterhouse, he will teach the boy everything he knows. Five years later, teen Allison (Alexandra Daddario of Hall Pass) comes to live with her uncle (Michael Biehn of The Terminator) following her parents' death. In time, she will discover the boy and his madman mentor. And they will all be plunged into an unimaginable evil from which there may be no escape. Nolan Gerard Funk (Deadgirl), Brett Rickaby (The Crazies), Valentina de Angelis (''Gossip Girl'') and John Savage (The Deer Hunter) co-star in this graphic and acclaimed shocker from writer/director Stevan Mena about family, torment, and the nightmare absolut! ion that is BEREAVEMENT.In this title, a leading expert in the! field o f emotions research challenges the conventional model of the 'Five Stages of Grief' offering fascinating new insights on the bereavement process and the ways in which we find positive meaning in loss. In "The Other Side of Sadness", psychologist and emotions expert George Bonanno highlights a complete rejection of the widely-accepted theory of grief model established by Elisabeth Kubler-Ross, which notes five distinct stages we go through during loss and bereavement. Until now, we have come to understand grief as a predictable and straightforward process of: denial; anger; bargaining; depression; and, acceptance. But in this paradigm-shifting new look at loss and life, George Bonanno proves otherwise: he argues that this process discounts our universal ability to be resilient, and does not allow for exceptions, which ultimately does a disservice to those in need. Weaving in fascinating explorations of Chinese mourning rituals, case studies from families who lost a loved one! during 9/11, and more, Bonanno offers a refreshing new discussion of cultural differences surrounding loss and healing-something most books about grief gloss over - and argues that we are much more capable than we know. Grief is an emotion largely associated with suffering, denial, anger, and other negative emotional states, but George Bonanno explores growth and change in great detail, and points out how certain types of grief can actually deepen interpersonal connections and, in some cases, lead to a profound new sense of meaning in life. "The Other Side of Sadness" reveals a surprisingly positive perspective on death and dying, which will be a must-read for those going through the death of a loved one, people in the mental health professions looking for a different approach to a universal experience, and readers of general science books on the human mind and positive psychology.

The Mistress of Spices

  • Tilo runs a spice store in San Francisco and has a magical gift of seeing into her customers' lives and desires. But, when a handsome, enigmatic American with a secret past enters her store, Tilo s own desires are stirred for the first time. Format: DVD MOVIE Genre:ร‚ FOREIGN Rating:ร‚ PG-13 Age:ร‚ 796019802741 UPC:ร‚ 796019802741 Manufacturer No:ร‚ 80274
A clash of cultures in the spirit of MY BIG FAT GREEK WEDDING, this modern musical retelling of Jane Austen's classic PRIDE AND PREJUDICE is a hilariously entertaining tale of one girl's unlikely search for love! Sparks immediately fly as a love/hate relationship ignites between a small-town beauty (international star Aishwarya Rai) and a wealthy American (Martin Henderson -- THE RING, TORQUE) who's visiting her modest Indian village. In a swirl of music, dance, and comic misunderstandings, these opposites continue to attract and repel each other! in a riotous romance that spans three continents! Featuring Naveen Andrews (TV's LOST, THE ENGLISH PATIENT) and a memorable performance from top recording artist Ashanti -- love will eventually conquer all in this acclaimed treat from the director of BEND IT LIKE BECKHAM!The exotic sounds, vibrant colors, and ecstatic dancing of Bollywood collide with the cunning storytelling of Jane Austen in Bride & Prejudice (from the writer/director of previous East/West hybrid Bend It Like Beckham). When smart, outspoken Lalita Bakshi (Indian beauty Aishwarya Rai) meets Will Darcy (Martin Henderson, The Ring), she finds this American businessman arrogant and conceited--but because his best friend is falling in love with her sister, Lalita agrees to travel around India with Darcy. On the trip, a childhood friend of Darcy's named Johnny (Daniel Gillies, Spider-Man 2) both tickles Lalita's fancy and confirms her worst suspicions about Darcy. But as events unfo! ld, Lalita wonders if she hasn't misjudged Darcy--and Johnny. ! Austen f ans will be find much to criticize; Bride & Prejudice transplants the basic plot of Pride & Prejudice to modern India, but not much of Austen's sly wit or her insights about character and society have survived the translation. Henderson, though handsome, lacks the intimidating charisma of previous Mr. Darcys (including Laurence Olivier and Colin Firth). Thank goodness for the delightful Rai, here making her first all-English-language movie. She commands the screen like a true star (unsurprisingly, she's hugely popular in India, and previously starred in a more homegrown Austen adaptation: I Have Found It, based on Sense & Sensibility). For Western audiences unfamiliar with the freewheeling exuberance of Indian movies--wild musical numbers can break out at almost any moment--Bride & Prejudice offers an engaging taste of this fantastic cinematic style. --Bret FetzerThe exotic sounds, vibrant colors, and ecstatic dancing of Bollywood co! llide with the cunning storytelling of Jane Austen in Bride & Prejudice (from the writer/director of previous East/West hybrid Bend It Like Beckham). When smart, outspoken Lalita Bakshi (Indian beauty Aishwarya Rai) meets Will Darcy (Martin Henderson, The Ring), she finds this American businessman arrogant and conceited--but because his best friend is falling in love with her sister, Lalita agrees to travel around India with Darcy. On the trip, a childhood friend of Darcy's named Johnny (Daniel Gillies, Spider-Man 2) both tickles Lalita's fancy and confirms her worst suspicions about Darcy. But as events unfold, Lalita wonders if she hasn't misjudged Darcy--and Johnny. Austen fans will be find much to criticize; Bride & Prejudice transplants the basic plot of Pride & Prejudice to modern India, but not much of Austen's sly wit or her insights about character and society have survived the translation. Henderson, though handsome, lacks! the intimidating charisma of previous Mr. Darcys (including L! aurence Olivier and Colin Firth). Thank goodness for the delightful Rai, here making her first all-English-language movie. She commands the screen like a true star (unsurprisingly, she's hugely popular in India, and previously starred in a more homegrown Austen adaptation: I Have Found It, based on Sense & Sensibility). For Western audiences unfamiliar with the freewheeling exuberance of Indian movies--wild musical numbers can break out at almost any moment--Bride & Prejudice offers an engaging taste of this fantastic cinematic style. --Bret FetzerStudio: Tcfhe/mgm Release Date: 03/31/2009 Rating: Pg13(Romance) Tilo runs a spice store in San Francisco and has a magical gift of seeing into her customers' lives and desires. But, when a handsome, enigmatic American with a secret past enters her store, Tiloรข€™s own desires are stirred for the first time.

Oliver & Company

  • 100% cotton. Machine washable. Imported.
  • Button-down collar. Button-front placket.
  • Multicolored Big Pony embroidery at the left chest.
  • Long sleeves with single-button barrel cuffs.

The Devil Wears Prada: A Novel

  • ISBN13: 9780767914765
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
A delightfully dishy novel about the all-time most impossible boss in the history of impossible bosses.

Andrea Sachs, a small-town girl fresh out of college, lands the job รข€œa million girls would die for.รข€ Hired as the assistant to Miranda Priestly, the high-profile, fabulously successful editor of Runway magazine, Andrea finds herself in an office that shouts Prada! Armani! Versace! at every turn, a world populated by impossibly thin, heart-wrenchingly stylish women and beautiful men clad in fine-ribbed turtlenecks and tight leather pants that show off their lifelong dedication to the gym. With breathtaking ease, Miranda can turn each and every one of these hip sophisticates i! nto a scared, whimpering child.

THE DEVIL WEARS PRADA gives a rich and hilarious new meaning to complaints about รข€œThe Boss from Hell.รข€ Narrated in Andreaรข€™s smart, refreshingly disarming voice, it traces a deep, dark, devilish view of life at the top only hinted at in gossip columns and over Cosmopolitans at the trendiest cocktail parties. From sending the latest, not-yet-in-stores Harry Potter to Mirandaรข€™s children in Paris by private jet, to locating an unnamed antique store where Miranda had at some point admired a vintage dresser, to serving lattes to Miranda at precisely the piping hot temperature she prefers, Andrea is sorely tested each and every dayรข€"and often late into the night with orders barked over the phone. She puts up with it all by keeping her eyes on the prize: a recommendation from Miranda that will get Andrea a top job at any magazine of her choosing. As things escalate from the merely unacceptable to the downright outrageous, however, An! drea begins to realize that the job a million girls would die ! for may just kill her. And even if she survives, she has to decide whether or not the job is worth the price of her soul.


From the Hardcover edition.It's a killer title: The Devil Wears Prada. And it's killer material: author Lauren Weisberger did a stint as assistant to Anna Wintour, the all-powerful editor of Vogue magazine. Now she's written a book, and this is its theme: narrator Andrea Sachs goes to work for Miranda Priestly, the all-powerful editor of Runway magazine. Turns out Miranda is quite the bossyboots. That's pretty much the extent of the novel, but it's plenty. Miranda's behavior is so insanely over-the-top that it's a gas to see what she'll do next, and to try to guess which incidents were culled from the real-life antics of the woman who's been called Anna "Nuclear" Wintour. For instance, when Miranda goes to Paris for the collections, Andrea receives a call back at the New York office (where, incidentally, she's not allowed! to leave her desk to eat or go to the bathroom, lest her boss should call). Miranda bellows over the line: "I am standing in the pouring rain on the rue de Rivoli and my driver has vanished. Vanished! Find him immediately!"

This kind of thing is delicious fun to read about, though not as well written as its obvious antecedent, The Nanny Diaries. And therein lies the essential problem of the book. Andrea's goal in life is to work for The New Yorker--she's only sticking it out with Miranda for a job recommendation. But author Weisberger is such an inept, ungrammatical writer, you're positively rooting for her fictional alter ego not to get anywhere near The New Yorker. Still, Weisberger has certainly one-upped Me Times Three author Alex Witchel, whose magazine-world novel never gave us the inside dope that was the book's whole raison d' etre. For the most part, The Devil Wears Prada focuses on the outrageous M! iranda Priestly, and she's an irresistible spectacle. --Cla! ire Ded erer

Native Union Moshi Moshi Retro POP Handset for iPhone, iPad, iPod, and Android Phones - Soft Touch - Black

  • Compatible with all 3.5mm jack mobile phones and computers, including iPhone, BlackBerry, iPad and latest MacBooks
  • Noise-reducing technology for a crisp and polished sound
  • Luxurious soft-touch finish for ultimate comfort and feel
  • Eliminates up to 99 percentage of the radiation absorbed compared to a direct use of mobile phones
  • One touch button for convenient pick-up/hang-up directly from the handset (not all mobile phone support function)
From producer Jennifer Lopez comes a danceable, dynamic story about the unifying power of the music within us all. When life in the South Bronx gets too hot for rapper Rob (Omarion Grandberry, You Got Served), he flees to Puerto Rico and a father he never knew. After half-brother Javi introduces Rob to the seductive rhythms of Reggaeton, the two find that their music, and cultures, have more in common than they ever im! agined. But to bring their musical hybrid to the world, can they survive the grudges and gunplay that await them back in New York City? To find out, grab the disc, watch the film and Feel the Noise.Feel the Noise fits in with other dance-heavy films such as Stomp the Yard, Step Up, and You Got Served. The young hero in this film (which comes courtesy of Jennifer Lopez's Nuyorican Productions) serves up former B2K heartthrob Omarion Grandberry as Rob, a fledgling rapper who gets into trouble in New York. Fearing for her son's life, his mother ships him off to Puerto Rico to live with his father Roberto(Giancarlo Esposito) and half brother Javi (Victor Rasuk). Rob and Roberto have a strained relationship, but the two half-brothers quickly bond over their love of music. With the help of a girl Rob is sweet on, the two find themselves on the brink of a bonafide music career--that may bring Rob back to Harlem. Set against a backbeat of reggaeto! n music (which combines elements of reggae, hip-hop, and salsa! ), the f ilm has its work cut out. The genre is little known to much of the film's demographics (teenagers), and Grandberry is likeable, but he's not a convincing leading man. His role requires simmering sexuality; he provides adorableness, but the moviegoer is never convinced that he is anything but a nice boy. Zulay Henao is lovely as Rob's sexy and sweet girlfriend, but the two actors don't share much chemistry. Lopez makes a blink-and-you-miss-it cameo near the end of the movie, which has one misstep too many to be anything more than a guilty pleasure. --Jae-Ha KimMusic From The Motion Picture "Feel The Noise" by Feel The Noise (Motion Picture Soundtrack)

This product is manufactured on demand using CD-R recordable media. Amazon.com's standard return policy will apply.

From producer Jennifer Lopez comes a danceable, dynamic story about the unifying power of the music within us all. When life in the South Bronx gets too hot for rapper Rob (Omarion Grandberry, You Got Served), he flees to Puerto Rico and a father he never knew. After half-brother Javi introduces Rob to the seductive rhythms of Reggaeton, the two find that their music, and cultures, have more in common than they ever imagined. But to bring their musical hybrid to the world, can they survive the grudges and gunplay that await them back in New York City? To find out, grab the disc, watch the film and Feel the Noise.Feel the Noise fits in with other dance-heavy films such as Stomp the Yard, Step Up, and You Got Served. The young hero in this film (which comes courtesy of Jennifer Lopez's Nuyorican Productions) serves up former B2K heartthrob Omarion Grandberry as Rob, a fledgling rapper who gets into trouble in New York. Fearing for her son's life, his mother ships him off to Puerto Rico to live with his father Roberto(Giancarlo Esposito) and half brother Javi (Victor Rasuk). Rob and Roberto have a strained relationship, but th! e two half-brothers quickly bond over their love of music. Wit! h the he lp of a girl Rob is sweet on, the two find themselves on the brink of a bonafide music career--that may bring Rob back to Harlem. Set against a backbeat of reggaeton music (which combines elements of reggae, hip-hop, and salsa), the film has its work cut out. The genre is little known to much of the film's demographics (teenagers), and Grandberry is likeable, but he's not a convincing leading man. His role requires simmering sexuality; he provides adorableness, but the moviegoer is never convinced that he is anything but a nice boy. Zulay Henao is lovely as Rob's sexy and sweet girlfriend, but the two actors don't share much chemistry. Lopez makes a blink-and-you-miss-it cameo near the end of the movie, which has one misstep too many to be anything more than a guilty pleasure. --Jae-Ha KimWhy does a band sound so good together? Each instrument has its own special sound. Discover the various properties of sound in this title.Designed by the French designer David Turpin! the POP handset combines classic style with a contemporary edge and is finished with a luxurious soft-touch texture. The handset has been manufactured with a high quality speaker and microphone. Can be used for VOIP computer telephone calls (Skype, Google Talk). This product is fitted with a 3.5mm jack (compatible with the iPhone). Improved call comfort Allows access to phone functions when making calls Eliminates over 99% of absorbed phone radiation Turns your tablet computer into a telephone via Skype or VOIP applications Supplied with a 3.5mm plug

Developed by renowned French designer David Turpin, the MoshiMoshi 01H Retro Handset combines high style with high functionality, uniting the comfort and safety of a handset telephone with the convenience of the mobile phone. The chic design combines classic style with modern elegance, resulting in a fashionable and comfortable handset finished with a soft luxurious texture.

Native Union Moshi Retro Handset colors
Turn back the clock with the MoshiMoshi 01H Retro Handset. Click here for a larger image.

Key Features

  • Compatible with all 3.5mm jack mobile phones and computers, including iPhone, BlackBerry, iPad, and the latest MacBooks.
  • One touch button for convenient pick-up/hang-up directly from the handset (not all mobile phone support function).
  • Noise-reducing technology for a crisp and polished sound.
  • Luxurious soft-touch finish for ultimate comfort and feel.
  • Eliminates up to 99 percent of the radiation absorbed compared to a direct use of mobile phones.

Unparalleled Conversation Comfort

The MoshiMoshi 01H Retro Handset is specially designed to transform any type of smart-phone/mobile-phone into a comfortable and convenient conversation device. The ergonomic design pro! vides incomparable comfort, making the mobile phone practical for any type of conversation in any type of environment.

Native Union Moshi Retro Handset in black
The Moshi Retro Handset in black. Click here for a larger image.

The ability to leave the mobile phone untouched while talking allows the user to enjoy the convenience of utilizing all other functions of the mobile device mid-conversation, making plans, emailing, browsing the internet and access to calendars more simple than ever. The dual compatibility of the MoshiMoshi 01H not only allows the device to be plugged into mobile phones, but also computers to act as a handset for VOIP calls, making it the ultimate communication and business tool.

Compatible with All Devices

MoshiMoshi 01H Retro Handset is compatible with all 3.5mm jack phones and computers, including the iPhone, BlackBerry, MacBook and iPad. When fitted with the proper adaptor (sold separately) it is compatible with all mobile phones and computers for VOIP computer telephone calls, including Skype and Google Talk.

Eliminating 99 Percent of Radiation

While the debate about potentially harmful mobile phone radiation and the heath-related consequences rages on, Native Union has already offered a solution to the risk with the MoshiMoshi 01H Retro Handset. Native Union offers state of the art technology in the high quality speaker and microphone ensures a polished sound while the design eliminates 99 percent of harmful mobile phone radiation.

Using Your MoshiMoshi Retro Handset

Step 1

STEP 1. You need to refer to the attached adapter table to check which adapter is needed to connect your mobile phone to your MoshiMoshi handset. If your mobile phone doesn't require an adapter, please proceeed directly to step 3.

Step 2

STEP 2. Plug the corresponding adapter to the 3.5mm jack end of your MoshiMoshi (optional, please check on the adapter list to see if your phone needs it).

Step 3 !

STEP 3. You can n! ow secur ely plug your Mosshi Moshi into the hands-free port of your mobile phone (please refer to your mobile phone's instruction manual to locate this port).


Gangster No 1 [Blu-ray]

  • UK Import
  • Blu-ray
  • Region-Free
"Fascinating" (The Hollywood Reporter) and "sensational" (Los Angeles Times), this bold, innovative thriller chronicles the bloody, single-minded climb of a barbarous crime lord to power. Starring Malcolm McDowell (A Clockwork Orange), Paul Bettany (A Beautiful Mind), David Thewlis (Naked) and Saffron Burrows (Deep Blue Sea), Gangster No. 1 enters the psyche of an unrepentant mobster and reveals the madman within. Bettany gives "a brilliantly eerie, star-making performance" (American Film Institute) as a ruthless mobster who slugs, claws and kills his way to the top. But when he learns that the former mentor (Thewlis) he put in prison is about to get out, this self-made monster must not only face a man whose life he ruined but the twisted remnants of his own demented conscience as well.This glinting, scalding gangland phantasmagoria offers a sort! of funhouse-mirror refraction of the life and career of a British hooligan so elemental in his right villainy that he's merely identified as "Gangster." The action begins in 1999, with Malcolm McDowell brutishly savoring his eminence as a crime lord; but more of the film is taken up with an extended flashback to 1968, when his youthful self--played by Paul Bettany (but voiced by McDowell during private reveries)--got his start. Bettany's patron is Freddie Mays, "the Butcher of Mayfair" (David Thewlis), a comparatively suave rotter whom "Young Gangster" more or less simultaneously worships, emulates, and craves to see destroyed. Director Paul McGuigan layers the eras and personalities in a kaleidoscope of jagged stylization (occasionally the image shatters like glass, then hellishly reconstitutes itself). The effect is less to tell a proper story than to suspend us in a state of mind--and a homage to McDowell's landmark role in A Clockwork Orange. But it does exert a! n unclean fascination. --Richard T. JamesonWhen a young! gangste r (Paul Bettany) starts working for gang leader Freddie Mays (David Thewlis), known as the Butcher of Mayfair, he dreams of being everything that Freddie is: smooth, sophisticated, impeccably dressed, always with the right women, and driving the fanciest cars. Freddie takes the young gangster (unnamed in the film but listed as Gangster 55 in the credits) under his wing as a potential war with a rival gang starts to heat up. After Freddie falls for Karen (Saffron Burrows), whom 55 had his eye on, the young gangster lies in wait for an opportunity to change things, and when that moment comes, he leaves a bloodbath of betrayal in his wake. Paul McGuigan's GANGSTER NO. 1 is framed by scenes set in the present, where the aging 55, played with delicious villainy by Malcolm McDowell, narrates the tale of his younger self's rise to power in Soho in the late 1960s. Bettany is a revelation as 55, who seems to enjoy a bit of the old ultraviolence now and again; when he tells a potential victim (or even a friend) to look into his eyes, it is hard for the audience as well not to be mesmerised--and scared out of their wits. McGuigan's fast-paced direction includes creative split screens, extreme close-ups, fireballs coming right at the viewer, and a sweeping handheld camera all set to a swinging 1960s score.This glinting, scalding gangland phantasmagoria offers a sort of funhouse-mirror refraction of the life and career of a British hooligan so elemental in his right villainy that he's merely identified as "Gangster." The action begins in 1999, with Malcolm McDowell brutishly savoring his eminence as a crime lord; but mo! re of the film is taken up with an extended flashback to 1968, when his youthful self--played by Paul Bettany (but voiced by McDowell during private reveries)--got his start. Bettany's patron is Freddie Mays, "the Butcher of Mayfair" (David Thewlis), a comparatively suave rotter whom "Young Gangster" more or less simultaneously worships, emulates, and craves to see destroyed. Director Paul McGuigan layers the eras and personalities in a kaleidoscope of jagged stylization (occasionally the image shatters like glass, then hellishly reconstitutes itself). The effect is less to tell a proper story than to suspend us in a state of mind--and a homage to McDowell's landmark role in A Clockwork Orange. But it does exert an unclean fascination. --Richard T. Jameson

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