- ISBN13: 9780870705274
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
This dynamic introduction to the world s greatest
photographers from the inception of photography to today
bears proof of the magic of the camera. From Félix Nadar to
Nan Goldin, each of the photographers featured here
represents an important aspect of photography s evolution.
The artists are presented in double-page spreads that
include reproductions of their most important works,
concise biographies, informative sidebars, and a timeline
that extends throughout the volume. The result is a
fascinating overview of the way photographers continue to
push the limits of their genre, offering their audiences new
ways of seeing and understanding our world.In addition to pro! filing the most important photographers of past and present, this book presents a capsule history of photography and explores significant trends and developments in the field. Brief biographies with identifying photos include Matthew Brady, Henri Cartier-Bresson, Walker Evans, Diane Arbus, Robert Mapplethorpe, Annie Liebovitz, Richard Avedon, Ansel Adams, Alfred Stieglitz, Edward Steichen, and 40 other major figures in portraiture, fashion, photojournalism, documentary, landscape, and photographic art. Small in size but filled with information and insights, each
Icons of Culture title is a collection of brief, pithy, and enlightening biographies of men and women who have made their mark and left lasting influences in the lively arts. Scattered among these capsule biographies are two-page overviews that examine various aspects of the art. Handsomely designed and accessible to laypersons, these books make fine quick-reference sources while also providing enjoyable re! ading for inquisitive minds. Illustrations in color and black ! and whit e on most two-page spreads.The Photographer's Eye by John Szarkowski is a twentieth-century classic--an indispensable introduction to the visual language of photography. Based on a landmark exhibition at The Museum of Modern Art in 1964, and originally published in 1966, the book has long been out of print. It is now available again to a new generation of photographers and lovers of photography in this duotone printing that closely follows the original. Szarkowski's compact text eloquently complements skillfully selected and sequenced groupings of 172 photographs drawn from the entire history and range of the medium. Celebrated works by such masters as Cartier-Bresson, Evans, Steichen, Strand, and Weston are juxtaposed with vernacular documents and even amateur snapshots to analyze the fundamental challenges and opportunities that all photographers have faced. Szarkowski, the legendary curator who worked at the Museum from 1962 to 1991, has published many influential books. ! But none more radically and succinctly demonstrates why--as U.S. News & World Report put it in 1990--"whether Americans know it or not," his thinking about photography "has become our thinking about photography."
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