Saturday, January 28, 2012

Hollywoodland (Widescreen Edition)

  • Condition: New
  • Format: DVD
  • AC-3; Color; Dolby; Dubbed; DVD; Subtitled; Widescreen; NTSC
Based on the true story of Hollywood's most notorious unsolved mystery, Hollywoodland is a tale of glamour, scandal, and corruption in 1950's Los Angeles. When George Reeves (Ben Affleck), star of TV's Adventures of Superman, is found dead in his home, millions of fans are shocked by the circumstances of his death. The police and the studio bosses want the case closed as a suicide, but rumors linger. Louis Simo (Adrien Brody), a private investigator, picks up the trail and begins to piece together the actor's last, tension-filled days. Who pulled the trigger? Was it the seductive yet scheming fiancee, the spurned lover (Diane Lane), the enraged husband (Bob Hoskins), or was it Reeves himself? Starring: Adrien Brody, Diane Lane, Ben Affleck, Bob Hoskins, Lois Smith, Robbin Tunney, Moll! y Parker, Kathleen Robertson, Joe Spano Directed by: Allen Coulter

Thursday, January 19, 2012

Firestorm: Preventing and Overcoming Church Conflicts

  • ISBN13: 9780801090912
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

"I cannot recommend Taylor Anderson too highly." -David Weber, author of Out of the Dark

Lieutenant Commander Matthew Reddy and the crew of the USS Walker find themselves caught between the nation they swore to defend and the allies they promised to protect. For even as the Allies and the Empire of New Britain Isles stand united against the attacks of both the savage Grik and the tenacious Japanese, the "Holy Dominion"-a warped mixture of human cultures whose lust for power overshadows even the Grik-is threatening to destroy them both with a devastating weapon neither can withstand.

An Email Exchan! ge Between David Weber and Taylor Anderson, author of Firestorm: Destroyermen.

Taylor Anderson

Taylor Anderson: Hi David! I just now--literally--got back from the WorldCon in Reno. It was fun--and I was also able to personally thank Steve Stirling for the nice blurb he gave my first book. Of course, I am also humbly honored by the very nice blurb you just gave me! If we're not careful, people might begin to suspect we are friends! Of course my meager, good opinion of everything you have written is a matter of record--and espoused at every opportunity!

David Weber: Friends! Friends!? How could anyone possibly suspect such a thing?! But I digress. You're certainly welcome to the cover blurb, since it's only accurate. I mean, us b! eing friends and all I probably would have lied for you if I'd! needed to, but what the heck? It's always nicer when you can say nice things because they're accurate. Helps add to your reputation for infallibility, you know.

Anyway, I've got How Firm a Foundation, which is, what--Safehold #4?--coming out in September. You've got one coming out next month, too, as I recall. So you want to tell me what you're going to do to Walker's crew and their friends this time?

Taylor Anderson: I am SOOOOO stoked to read How Firm a Foundation. Most of my reading lately has been old tech manuals, and I need some David Weber! I love how your "Merlin" manages to prod the Safehold tech development along. Artificial being or not, it has to be frustrating to have all that information--that will save lives--running around in his/her head and have to be so careful about revealing it in a logical progression. I'm still improving the "tech" in Firestorm: Destroyermen--which comes out October 4th--but the contrast! in how it is applied is fun to compare to the Safehold series.

Your "Merlin" knows…everything, but has to hold back while everyone else accepts what is possible, whereas my Destroyermen know what is possible, but don't necessarily know how, or how best to achieve it. Different frustrations. Your guys have to be a lot more careful! Of course the Grik are still there, with their mad Japanese advisor--but the Grik are starting to "get wise" almost in spite of Kurokawa. He gives them technology, but retains his own agenda. Battle will rage on the land, sea, and in the air!

David Weber

David Weber: Well, as you know, I "snippet" excerpts of the books on my website, so we're several thousand words into How Firm a Foundation, already. That makes things…interesting from my ! perspective, since the fans can't wait to start suggesting wha! t my cha racters should be "inventing" next. I haven't even got steam engines past the proscriptions of the Inquisition yet, and some of these guys seem to think I should already be designing King Edward VII-class, pre-dreadnought battleships! I did just give the Charisians breech-loading caplocks, though. That's going to make life interesting for the other side. And Merlin is about to find out (sort of) what I stashed--I'm sorry, what the Archangel Langhorne stashed--under the Temple. It is a bit darker book, though, since the Church gets in a few licks of its own this time around. Your guys have had that experience, too, I think, haven't they?

One thing I'm pondering about is introducing a better propellant than black powder. I'd have to be really careful about that, dealing with the anti-technology proscriptions, but back when Safehold was first settled, the Church did set up the rote preparation and production of fertilizers on a relatively large-scale. It'! s occurred to me that if I want to introduce nitrocellulose, I might have a platform for that in the fertilizer industry. Or perhaps I should say in the fertilizer pre-industry, since we're not exactly talking about current day DuPont levels of production. What do you think? Practical or would I be stretching things too far?

Taylor Anderson: I haven't done "snippets," but I still get a lot of suggestions and speculation on my web site and through direct contacts. I think it's fun and exciting that so many people are thinking about our books. Some of the suggestions are a little strange--okay, sometimes all I can do is just stare--but Destroyermen is a kind of strange story! The contrast between "They couldn't really do that," and "Why don't they have atomic weapons yet?" from one contact to the next can be amusing though. Things take time, particularly when your characters have to find the things to build the things to build the things they! need.

If you're asking my opinion on propellants, I'd! have to suggest sticking with black powder for a while. Your caplock breechloaders will be easy to convert, certainly. I'm converting rifle-muskets to a type of "Allin" breechloader myself. But you can actually get better performance out of black powder in such weapons since they weren't designed (or alloyed and treated) for the higher pressures "smokeless" produces. You'd have to make some major leaps in metallurgy to support jacketed bullets as well, and without them, you're stuck with black powder velocities anyway. Besides, your battles are so much more artistic with plenty of fire and smoke!

Of course, then comes logistics! Ha! As you always show so well, getting "new" stuff to the pointy end--and supplying it--is the greatest challenge of all…but then that's pretty fun to write and read about too, isn't it? Wow. I can't wait to be taunted with what you Langhorne stashed! People who know we are friends ask me all the time what "it" is and don't really believe ! me when I tell them "I don't know!" If I did, I wouldn't rat--and I don't WANT to know until it unfolds on the pages in front of me!

David Weber: I'm inclined to stick with black powder for small arms for quite a while, for a lot of reasons, including the ones you've mentioned. I'm not too sure about how major a jump I'd have to make to support jacketed bullets--the Safehold-ian tech structure doesn't match up perfectly with any particular, in Earth's history, thanks to all of the "technologies without the science" tucked away in the Holy Writ. That means it wouldn't be beyond the reach of allowable technologies (and Safehold-current techniques) to form copper jackets and then compress the lead into them. I'm inclined to agree with you about the conversion process, and I'm also inclined to think that converting the smokeless powders would also require a drop in caliber, if I want to take advantage of the higher velocities flatter trajectorie! s without beating my poor riflemen to death!

I was lo! oking at improved propellants more from the perspective of naval gunnery, field artillery, and shell-fillers (I know, I know--not a "propellant". So sue me!) and that sort of thing. Can't have really long-range gunnery without predictable propellant burn times, and I don't think I can get that kind of quality control out of black powder. At the same time, I have to be thinking in terms of reasonably attainable technologies. And you'd better believe I plan on putting my head together with yours when I actually start converting to cartridges and repeaters!

Of course, my life is even more interesting in the next couple of months than yours is, because I [he said, blushing modestly and looking down at his toes] have a new book coming out in October, as well! I finally got around to writing that young adult novel I've wanted to write for so long for Baen's publishing, A Beautiful Friendship, next month. Trust me; it's a very different change of pace from the Safehold book! s!

Taylor Anderson: Oh I know about A Beautiful Friendship, you prolific devil. I've already pre-ordered it too. You're right of course. No real reason why better steels would be proscribed I guess. That's what I meant about jacketed bullets, by the way. Not the bullets themselves, but the barrels that will have to survive them--especially if you increase your rate of fire dramatically! Hehe. Once you eliminate that gas-gushing vent in a muzzle-loader, black powder is amazingly consistent in cartridges--but you still need a whopping heavy (and abusive) bullet to carry your energy along. Flat shooters they ain't.

It's no secret that "my" Destroyermen have been working on guncotton and other things. They have the recipe--from that same, valuable little manual we both have!--but the recipe needs a little adjustment when you're not sure what to use for cotton, for example!

Experimentation can be exciting, and a lot of the fun is ! letting the characters come up with their own angles. Like I'v! e said, as capable as my Destroyermen are, there are a lot of things they don't know how to do, and they often come up with weird, "wrong," but adequate procedures. Also, with their fascination for gizmos, the Lemurians are beginning to come up with some slap your forehead notions and applications that might never have occurred to humans--which begs the question: why did they occur to me?

I'm all for juicing up naval artillery--or any artillery at all, as you know--but at sea, particularly, greater range is wasted without some advanced means of fire control. Even rifling won't help much. It's all in the timing, if you know what I mean. Oh, I've got the perfect repeater for you! I can't--actually won't use it--for the same reason I won't use another conversion we discussed, and I would love to see you use (hint). They just wouldn't make sense for my guys and their different starting point. For YOU however…they might even pass the proscriptions!

David ! Weber: Oh, yeah. I just finished, like a week or so ago, posting somewhere around a 5,000-word dissertation on the requirements for long-range naval gunnery on the Safehold forum on my website, because some of my readers were wondering how soon the Imperial Charisian Navy is going to go to long-range gunnery, by which some of them seemed to be thinking 20,000 or 30,000 yards. I had to explain that without centralized fire control to make sure all guns fired at exactly the right moment and on the right bearing, without inclinometers to be sure they fired at the right point in the ship's roll, without the ability to predict target movement, without accurate range-finding, and--especially--without predictable and repeatable propellant burn times (not to mention monitoring board erosion, temperature, humidity, propellant temperature, etc.), accurate naval gunnery at anything much over 6,000 yards is going to be problematical at best. I think that sort of "taking things! for granted" is part of the price we pay for living at the "u! ser end" of a technological world in the first place, but it starts coming home to you when you do the kind of thing you and I are doing in our books which is trying to build a technological infrastructure from scratch and figuring out how the wheel was invented in the first place!

Although, you know, thinking about it, what we're both doing in our different ways that's even more significant than the technology, I think, is looking at the values of the fictitious societies we've created. When you come down to it, technology is just tools -- it's what people do with those tools that distinguishes them from one another. Dark Age mentalities can do terrifying amounts of damage with modern technology. God knows we've seen enough of that in recent years, haven't we? I first came up with the concept for the Safehold books something like twenty years ago, and I've been mostly faithful to that original concept, but I can't pretend it hasn't been modified by things that have happened! in the real world since. I actually make an effort to avoid having that happen, but I don't think any author can do that, really. After all, we live in the real world! But what my heroes are doing on Safehold and what your Destroyermen and their allies are doing on your alternate Earth is trying to push back the darkness, and I think that's the real reason a lot of their fans want to know what happens next in both universes. I know I sure do, at any rate!

Taylor Anderson: Ha! Few things could be more difficult to comprehend than all the variables that prevent accurate long range naval gunnery. Just figuring out all those variables is hard enough, and then compensating for them all presents an incredibly daunting challenge. The first "modern" computers, in all their complexity, were devoted to just that. Powered torpedoes add even more wild variables. I'll have to read your post to see how you managed to explain it all in a mere 5,000 words! I imagin! e that if anyone could do it, it would be you!

Ultim! ately ho wever, I couldn't agree with you more; the people are the story. The technology is fun to research, bend to our specific applications, write about, and kick around with each other, but our characters--defined by their character--drive the stories. The "Safehold" and the people who inhabit it, that Nimue Alban's…memories…awoke to was every bit as alien as the world Matt Reddy and his crew of USS Walker encounter in Destroyermen. Both worlds are as remote as they can possibly be to what they knew before, and full of unfamiliar threats and challenges. It is how they--and those around them--deal with their apparently insurmountable obstacles that form the "souls" of each story. Both have a vision for how best to protect and secure the people--and worlds--they have inherited, and both are determined to accomplish their task regardless of the cost, particularly to themselves. In this day and age, it may seem quaint to some that people might be so determined to "d! o the right thing, as they see it, when nobody is looking," in a sense. But I believe that quality is still admired, and is, I hope, the most resonant chord we have struck with both our tales.

Firefighter paramedic Mallory "Ice" James commands a crew of smokejumpersâ€"twenty women and men who eat together, sleep together, and parachute into the face of raging forest fires together. Discipline and teamwork mean the difference between life and death on the line, and she's earned her reputation as cool and controlled in the face of danger. "Hot Shot" Jace Russo never met a rule she wouldn't break and doesn't plan to stop just because the woman setting the terms is drop-dead gorgeous and hotter than the blazes they're supposed to be dousing. Mallory and Jace may not like each other much, but lust isn't something either can controlâ€"and they soon discover ice burns as fiercely as flame.

I cannot recommend Taylor Anderson too highly." -David Weber, author ! of Out of the Dark

Lieutenant Commander Mat! thew Red dy and the crew of the USS Walker find themselves caught between the nation they swore to defend and the allies they promised to protect. For even as the Allies and the Empire of New Britain Isles stand united against the attacks of both the savage Grik and the tenacious Japanese, the "Holy Dominion"-a warped mixture of human cultures whose lust for power overshadows even the Grik-is threatening to destroy them both with a devastating weapon neither can withstand.



"

An Email Exchange Between David Weber and Taylor Anderson, author of Firestorm: Destroyermen.

Taylor Anderson

Taylor Anderson: Hi David! I just now--literally--got back from the WorldCon in Reno. It was fun--a! nd I was also able to personally thank Steve Stirling for the nice blurb he gave my first book. Of course, I am also humbly honored by the very nice blurb you just gave me! If we're not careful, people might begin to suspect we are friends! Of course my meager, good opinion of everything you have written is a matter of record--and espoused at every opportunity!

David Weber: Friends! Friends!? How could anyone possibly suspect such a thing?! But I digress. You're certainly welcome to the cover blurb, since it's only accurate. I mean, us being friends and all I probably would have lied for you if I'd needed to, but what the heck? It's always nicer when you can say nice things because they're accurate. Helps add to your reputation for infallibility, you know.

Anyway, I've got How Firm a Foundation, which is, what--Safehold #4?--coming out in September. You've got one coming out next month, too, as I recall. So you want to tell m! e what you're going to do to Walker's crew and their friends t! his time ?

Taylor Anderson: I am SOOOOO stoked to read How Firm a Foundation. Most of my reading lately has been old tech manuals, and I need some David Weber! I love how your "Merlin" manages to prod the Safehold tech development along. Artificial being or not, it has to be frustrating to have all that information--that will save lives--running around in his/her head and have to be so careful about revealing it in a logical progression. I'm still improving the "tech" in Firestorm: Destroyermen--which comes out October 4th--but the contrast in how it is applied is fun to compare to the Safehold series.

Your "Merlin" knows…everything, but has to hold back while everyone else accepts what is possible, whereas my Destroyermen know what is possible, but don't necessarily know how, or how best to achieve it. Different frustrations. Your guys have to be a lot more careful! Of course the Grik are still there, with their mad Japanese adv! isor--but the Grik are starting to "get wise" almost in spite of Kurokawa. He gives them technology, but retains his own agenda. Battle will rage on the land, sea, and in the air!

David Weber

David Weber: Well, as you know, I "snippet" excerpts of the books on my website, so we're several thousand words into How Firm a Foundation, already. That makes things…interesting from my perspective, since the fans can't wait to start suggesting what my characters should be "inventing" next. I haven't even got steam engines past the proscriptions of the Inquisition yet, and some of these guys seem to think I should already be designing King Edward VII-class, pre-dreadnought battleships! I did just give the Charisians breech-loading caplocks, though. That's going to make life inter! esting for the other side. And Merlin is about to find out (so! rt of) w hat I stashed--I'm sorry, what the Archangel Langhorne stashed--under the Temple. It is a bit darker book, though, since the Church gets in a few licks of its own this time around. Your guys have had that experience, too, I think, haven't they?

One thing I'm pondering about is introducing a better propellant than black powder. I'd have to be really careful about that, dealing with the anti-technology proscriptions, but back when Safehold was first settled, the Church did set up the rote preparation and production of fertilizers on a relatively large-scale. It's occurred to me that if I want to introduce nitrocellulose, I might have a platform for that in the fertilizer industry. Or perhaps I should say in the fertilizer pre-industry, since we're not exactly talking about current day DuPont levels of production. What do you think? Practical or would I be stretching things too far?

Taylor Anderson: I haven't done "snippets," but I s! till get a lot of suggestions and speculation on my web site and through direct contacts. I think it's fun and exciting that so many people are thinking about our books. Some of the suggestions are a little strange--okay, sometimes all I can do is just stare--but Destroyermen is a kind of strange story! The contrast between "They couldn't really do that," and "Why don't they have atomic weapons yet?" from one contact to the next can be amusing though. Things take time, particularly when your characters have to find the things to build the things to build the things they need.

If you're asking my opinion on propellants, I'd have to suggest sticking with black powder for a while. Your caplock breechloaders will be easy to convert, certainly. I'm converting rifle-muskets to a type of "Allin" breechloader myself. But you can actually get better performance out of black powder in such weapons since they weren't designed (or alloyed and treated) for the higher pre! ssures "smokeless" produces. You'd have to make some major lea! ps in me tallurgy to support jacketed bullets as well, and without them, you're stuck with black powder velocities anyway. Besides, your battles are so much more artistic with plenty of fire and smoke!

Of course, then comes logistics! Ha! As you always show so well, getting "new" stuff to the pointy end--and supplying it--is the greatest challenge of all…but then that's pretty fun to write and read about too, isn't it? Wow. I can't wait to be taunted with what you Langhorne stashed! People who know we are friends ask me all the time what "it" is and don't really believe me when I tell them "I don't know!" If I did, I wouldn't rat--and I don't WANT to know until it unfolds on the pages in front of me!

David Weber: I'm inclined to stick with black powder for small arms for quite a while, for a lot of reasons, including the ones you've mentioned. I'm not too sure about how major a jump I'd have to make to support jacketed bullets--the Safehol! d-ian tech structure doesn't match up perfectly with any particular, in Earth's history, thanks to all of the "technologies without the science" tucked away in the Holy Writ. That means it wouldn't be beyond the reach of allowable technologies (and Safehold-current techniques) to form copper jackets and then compress the lead into them. I'm inclined to agree with you about the conversion process, and I'm also inclined to think that converting the smokeless powders would also require a drop in caliber, if I want to take advantage of the higher velocities flatter trajectories without beating my poor riflemen to death!

I was looking at improved propellants more from the perspective of naval gunnery, field artillery, and shell-fillers (I know, I know--not a "propellant". So sue me!) and that sort of thing. Can't have really long-range gunnery without predictable propellant burn times, and I don't think I can get that kind of quality control out of black powder.! At the same time, I have to be thinking in terms of reasonabl! y attain able technologies. And you'd better believe I plan on putting my head together with yours when I actually start converting to cartridges and repeaters!

Of course, my life is even more interesting in the next couple of months than yours is, because I [he said, blushing modestly and looking down at his toes] have a new book coming out in October, as well! I finally got around to writing that young adult novel I've wanted to write for so long for Baen's publishing, A Beautiful Friendship, next month. Trust me; it's a very different change of pace from the Safehold books!

Taylor Anderson: Oh I know about A Beautiful Friendship, you prolific devil. I've already pre-ordered it too. You're right of course. No real reason why better steels would be proscribed I guess. That's what I meant about jacketed bullets, by the way. Not the bullets themselves, but the barrels that will have to survive them--especially if you increase your rate! of fire dramatically! Hehe. Once you eliminate that gas-gushing vent in a muzzle-loader, black powder is amazingly consistent in cartridges--but you still need a whopping heavy (and abusive) bullet to carry your energy along. Flat shooters they ain't.

It's no secret that "my" Destroyermen have been working on guncotton and other things. They have the recipe--from that same, valuable little manual we both have!--but the recipe needs a little adjustment when you're not sure what to use for cotton, for example!

Experimentation can be exciting, and a lot of the fun is letting the characters come up with their own angles. Like I've said, as capable as my Destroyermen are, there are a lot of things they don't know how to do, and they often come up with weird, "wrong," but adequate procedures. Also, with their fascination for gizmos, the Lemurians are beginning to come up with some slap your forehead notions and applications that might never have occurred to hu! mans--which begs the question: why did they occur to me?

!

I'm all for juicing up naval artillery--or any artillery at all, as you know--but at sea, particularly, greater range is wasted without some advanced means of fire control. Even rifling won't help much. It's all in the timing, if you know what I mean. Oh, I've got the perfect repeater for you! I can't--actually won't use it--for the same reason I won't use another conversion we discussed, and I would love to see you use (hint). They just wouldn't make sense for my guys and their different starting point. For YOU however…they might even pass the proscriptions!

David Weber: Oh, yeah. I just finished, like a week or so ago, posting somewhere around a 5,000-word dissertation on the requirements for long-range naval gunnery on the Safehold forum on my website, because some of my readers were wondering how soon the Imperial Charisian Navy is going to go to long-range gunnery, by which some of them seemed to be thinking 20,000 or 30,000 yards. I had t! o explain that without centralized fire control to make sure all guns fired at exactly the right moment and on the right bearing, without inclinometers to be sure they fired at the right point in the ship's roll, without the ability to predict target movement, without accurate range-finding, and--especially--without predictable and repeatable propellant burn times (not to mention monitoring board erosion, temperature, humidity, propellant temperature, etc.), accurate naval gunnery at anything much over 6,000 yards is going to be problematical at best. I think that sort of "taking things for granted" is part of the price we pay for living at the "user end" of a technological world in the first place, but it starts coming home to you when you do the kind of thing you and I are doing in our books which is trying to build a technological infrastructure from scratch and figuring out how the wheel was invented in the first place!

Although, you know, thinking about it, wh! at we're both doing in our different ways that's even more sig! nificant than the technology, I think, is looking at the values of the fictitious societies we've created. When you come down to it, technology is just tools -- it's what people do with those tools that distinguishes them from one another. Dark Age mentalities can do terrifying amounts of damage with modern technology. God knows we've seen enough of that in recent years, haven't we? I first came up with the concept for the Safehold books something like twenty years ago, and I've been mostly faithful to that original concept, but I can't pretend it hasn't been modified by things that have happened in the real world since. I actually make an effort to avoid having that happen, but I don't think any author can do that, really. After all, we live in the real world! But what my heroes are doing on Safehold and what your Destroyermen and their allies are doing on your alternate Earth is trying to push back the darkness, and I think that's the real reason a lot of their fans want to know w! hat happens next in both universes. I know I sure do, at any rate!

Taylor Anderson: Ha! Few things could be more difficult to comprehend than all the variables that prevent accurate long range naval gunnery. Just figuring out all those variables is hard enough, and then compensating for them all presents an incredibly daunting challenge. The first "modern" computers, in all their complexity, were devoted to just that. Powered torpedoes add even more wild variables. I'll have to read your post to see how you managed to explain it all in a mere 5,000 words! I imagine that if anyone could do it, it would be you!

Ultimately however, I couldn't agree with you more; the people are the story. The technology is fun to research, bend to our specific applications, write about, and kick around with each other, but our characters--defined by their character--drive the stories. The "Safehold" and the people who inhabit it, that Nimue Alban's…! memories…awoke to was every bit as alien as the world Matt R! eddy and his crew of USS Walker encounter in Destroyermen. Both worlds are as remote as they can possibly be to what they knew before, and full of unfamiliar threats and challenges. It is how they--and those around them--deal with their apparently insurmountable obstacles that form the "souls" of each story. Both have a vision for how best to protect and secure the people--and worlds--they have inherited, and both are determined to accomplish their task regardless of the cost, particularly to themselves. In this day and age, it may seem quaint to some that people might be so determined to "do the right thing, as they see it, when nobody is looking," in a sense. But I believe that quality is still admired, and is, I hope, the most resonant chord we have struck with both our tales.

I cannot recommend Taylor Anderson too highly." -David Weber, author of Out of the Dark

Lieutenant Commander Matthew Reddy and the crew of the USS Walker find! themselves caught between the nation they swore to defend and the allies they promised to protect. For even as the Allies and the Empire of New Britain Isles stand united against the attacks of both the savage Grik and the tenacious Japanese, the "Holy Dominion"-a warped mixture of human cultures whose lust for power overshadows even the Grik-is threatening to destroy them both with a devastating weapon neither can withstand.



"A raging forest fire in California's Lassen Volcanic National Park traps exhausted firefighters, including Ranger Anna Pigeon, in its midst. Afterward, Anna finds two from her group have been killed. One a victim of the flames. The other, stabbed through the heart. Now, as a rampaging winter storm descends, cutting the survivors off from civilization, Anna must uncover the murderer in their midst.A raging fire in a national park seems an unlikely setting for a murder, but that's exactly the circumstances that crime-fighting park ranger ! and medic Anna Pigeon confronts in this mystery thriller. A su! spicious fire breaks loose in Northern California's Lassen Volcanic Park and Pigeon assists in battling the blaze and treating the wounds of other fire fighters. As if that's not enough, Pigeon finds herself without food and water trapped with a group of fire fighters, one of whom is a murderer. She tries to figure out who the culprit is before he, or the weather, strikes again.The heat is on and time is running out! Howie Long, Hollywood's hottest new action hero. stars with Scott Glenn, William Forsythe and Suzy Amis in a searing, pulse-pounding, edge-of-your-seat adventure! "The match is lit." These chilling words spark a deadly chain if events when a prison break pits fearless smokejumper Jesse Graves (Long) against two devastating, seemingly unstoppable forces of nature: a raging inferno and a cunning, psychotic killer. Packed with spectacular stunts, scorching suspense and a cast that'll blow you away.Will your church be part of the thirty-three percent unable to spot ! the kindling of conflict before it flares up and results in the dismissal of a pastor? Firestorm describes the six successive phases of conflict and explains the causes of that conflict, strategies to cope with controversy, and what can be done in the firestorm's aftermath to restore faith and hope.

Wednesday, January 18, 2012

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Chicago (Full Screen Edition)

  • Full Screen
Formed in its namesake city in 1967, Chicago is the first American band ever to chart albums in Billboard®’s Pop Top 40 in five consecutive decades. In 2002, Rhino entered into a long-term partnership with this extraordinary group to restore their extensive, genre-defying catalogue as well as develop new projects (such as 2006’s XXX, their first new studio album in a decade). Now Rhino adds to Chicago’s legacy and salutes their 40th anniversary with a newly compiled 2-CD collection that spans their entire recording history, from the stellar 1969 debut LP Chicago Transit Authority to Chicago XXX. With a career encompassing five consecutive #1 albums, 13 platinum albums, 21 Top 10 singles, and many other laurels, Chicago is among the most successfully charting American groups of all time.Winner of six Academy Awards(R) (2003) including Best Picture, and starring Academy Award! nominee (Best Actress, CHICAGO) and Golden Globe winner (Best Actress in a Musical or Comedy, CHICAGO) Renée Zellweger (BRIDGET JONES'S DIARY), Academy Award winner (Best Supporting Actress, CHICAGO) Catherine Zeta-Jones (TRAFFIC), Academy Award nominee (Best Supporting Actress, CHICAGO) Queen Latifah (BRINGING DOWN THE HOUSE), Golden Globe winner (Best Actor in a Musical or Comedy, CHICAGO) Richard Gere (UNFAITHFUL), and Academy Award nominee (Best Supporting Actor, CHICAGO) John C. Reilly (GANGS OF NEW YORK) -- CHICAGO is a dazzling spectacle cheered by audiences and critics alike! At a time when crimes of passion result in celebrity headlines, nightclub sensation Velma Kelly (Zeta-Jones) and spotlight-seeking Roxie Hart (Zellweger) both find themselves sharing space on Chicago's famed Murderess Row! They also share Billy Flynn (Gere), the town's slickest lawyer with a talent for turning notorious defendants into local legends. But in Chicago, there's only room for one ! legend! Also starring Lucy Liu (CHARLIE'S ANGELS).Bob Fosse's ! sexy cyn icism still shines in Chicago, a faithful movie adaptation of the choreographer-director's 1975 Broadway musical. Of course the story, all about merry murderesses and tabloid fame, is set in the Roaring '20s, but Chicago reeks of '70s disenchantment--this isn't just Fosse's material, it's his attitude, too. That's probably why the movie's breathless observations on fleeting fame and fickle public taste already seem dated. However, Renée Zellweger and Catherine Zeta-Jones are beautifully matched as Jazz Age vixens, and Richard Gere gleefully sheds his customary cool to belt out a showstopper. (Yes, they all do their own singing and dancing.) Whatever qualms musical purists may have about director Rob Marshall's cut-cut-cut style, the film's sheer exuberance is intoxicating. Given the scarcity of big-screen musicals in the last 25 years, that's a cause for singing, dancing, cheering. And all that jazz. --Robert HortonOut-of-print in the US. Subtitled - On! ly The Beginning. Double disc with 39 hit singles spanning Chicago's complete 35-year history. Including the #1 singles 'If You Leave Me Now,' 'Hard To Say I'm Sorry' and 'Look Away'. Booklet features detailed liner notes by Bill DeYoung. Rhino RecordsFrom the perspective of 15 subsequent platinum albums and 20 top-10 hits, it's hard to imagine that Chicago began their career as a bona fide prog-fusion act, an early FM radio favorite whose jazz-tinged, album-length suites found them a hip cult following even as they confounded label execs. Ironically, when the pioneering horn band (a contemporary of Blood, Sweat & Tears and inspiration for one-hit wonders like Lighthouse, Ides of March, and Ten Wheel Drive) relented and allowed their music to be edited down to single length, their success was explosive. Most of the "single edits" on disc 1 of this 39-track anthology provide ample evidence of that de facto formula: a catchy riff ("25 or 6 to 4," "Saturday in the Park," "Colo! r My World") develops into a hook-filled, pop-savvy production! rife wi th the band's trademark horn perfection. One could argue that that sensibility--and a midcareer tilt toward producer David Foster, songwriter Diane Warren, and the MOR ballads that became some of their biggest successes--degenerated into formula. Indeed, there's much on the second disc to support that notion. This set spans it all, showcasing newly refocused edits of some their biggest early hits and lesser-known tracks like their lively '95 cross-cultural collaboration with the Gipsy Kings on a cover of Louis Prima's swing classic "Sing, Sing, Sing." --Jerry McCulleyChicago's sophomore album includes the hits ""Make Me Smile,"" ""Colour My World,"" and ""25 or 6 to 4."" Bonus tracks include the single versions of ""Make Me Smile"" and ""25 or 6 to 4.""
No Track Information Available
Media Type: CD
Artist: CHICAGO
Title: CHICAGO 2
Street Release Date: 07/16/2002
Domestic
Genre: ROCK/POPWi! nner of six Academy Awards(R) (2003) including Best Picture, and starring Academy Award nominee (Best Actress, CHICAGO) and Golden Globe winner (Best Actress in a Musical or Comedy, CHICAGO) Renée Zellweger (BRIDGET JONES'S DIARY), Academy Award winner (Best Supporting Actress, CHICAGO) Catherine Zeta-Jones (TRAFFIC), Academy Award nominee (Best Supporting Actress, CHICAGO) Queen Latifah (BRINGING DOWN THE HOUSE), Golden Globe winner (Best Actor in a Musical or Comedy, CHICAGO) Richard Gere (UNFAITHFUL), and Academy Award nominee (Best Supporting Actor, CHICAGO) John C. Reilly (GANGS OF NEW YORK) -- CHICAGO is a dazzling spectacle cheered by audiences and critics alike! At a time when crimes of passion result in celebrity headlines, nightclub sensation Velma Kelly (Zeta-Jones) and spotlight-seeking Roxie Hart (Zellweger) both find themselves sharing space on Chicago's famed Murderess Row! They also share Billy Flynn (Gere), the town's slickest lawyer with a talent for turn! ing notorious defendants into local legends. But in Chicago, t! here's o nly room for one legend! Also starring Lucy Liu (CHARLIE'S ANGELS).Bob Fosse's sexy cynicism still shines in Chicago, a faithful movie adaptation of the choreographer-director's 1975 Broadway musical. Of course the story, all about merry murderesses and tabloid fame, is set in the Roaring '20s, but Chicago reeks of '70s disenchantment--this isn't just Fosse's material, it's his attitude, too. That's probably why the movie's breathless observations on fleeting fame and fickle public taste already seem dated. However, Renée Zellweger and Catherine Zeta-Jones are beautifully matched as Jazz Age vixens, and Richard Gere gleefully sheds his customary cool to belt out a showstopper. (Yes, they all do their own singing and dancing.) Whatever qualms musical purists may have about director Rob Marshall's cut-cut-cut style, the film's sheer exuberance is intoxicating. Given the scarcity of big-screen musicals in the last 25 years, that's a cause for singing, dancing, ch! eering. And all that jazz. --Robert Horton

Green Mountain Coffee Caramel Vanilla Cream, K-Cup Portion Pack for Keurig K-Cup Brewers, 24-Count

  • Contains 24 k-cups
  • Offers drizzles of sweet, buttery caramel and brown sugar, with swirls of vanilla cream
  • 24 single serving packs; use with Keurig brewers
  • Please note: 'regular', 'bold' and 'extra bold' refer to the amount of coffee in the K-Cup
Caramel Vanilla Cream offers drizzles of sweet, buttery caramel and brown sugar, with swirls of vanilla cream.

Adjustment Bureau Poster - GRT Teaser Flyer Promo - Matt Damon Emily Blunt Movie

  • Adjustment Bureau Movie teaser Flyer
  • Promo Teaser Flyer for The Adjustment Bureau
  • Size 11 x 17 inches approx (28 x 43 cm)
  • Window display/ Telephone Pole Flyer sized Poster
"Adjustment Team" is a science fiction short story by Philip K. Dick. It was first published in Orbit Science Fiction, Sept-Oct 1954, No.4.

"SOMETHING WENT WRONG ...AND ED FLETCHER GOT MIXED UP IN THE BIGGEST THING IN HIS LIFE." -- Orbit introduction to "Adjustment Team".

Sector T137 is scheduled for adjustment and a Clerk is supervising a canine Summoner to ensure real estate salesman Ed Fletcher is inside Sector T137 during the process. An 8:15 bark to summon a Friend With A Car is needed. Unfortunately the bark is a minute late, bringing an Insurance Salesman causing Fletcher to leave for work late. Arriving at Sector T137 after it's been de-energized, Fletcher enters a terri! fying gray ash world. Escaping white-robed men he flees across the street back to the everday energized world outside Sector T137 fearing he's had a psychotic episode.


On Friday, March 11 2011 Universal Pictures will release the movie "The Adjustment Bureau" starring Matt Damon and Emily Blunt. "The Adjustment Bureau" is loosely based on the Philip K. Dick short story titled "Adjustment Team".
Matt Damon plays David Norris, a former Fordham University basketball player and charismatic United States Congressman who seems destined for national political stardom. He meets a beautiful ballet dancer named Elise Sellas, played by Blunt, only to find that strange circumstances keep them from becoming romantically involved. Norris discovers forces are at work to keep them apart, and he peels the layers to find out why."Adjustment Team" is a science fiction short story by Philip K. Dick. It was first published in Orbit Science Fiction, Sept-Oct 1954, No.4.
"SOMETHING WENT WRONG ...AND ED FLETCHER GOT MIXED UP IN TH! E BIGGES T THING IN HIS LIFE." -- Orbit introduction to "Adjustment Team".

Sector T137 is scheduled for adjustment and a Clerk is supervising a canine Summoner to ensure real estate salesman Ed Fletcher is inside Sector T137 during the process. An 8:15 bark to summon a Friend With A Car is needed. Unfortunately the bark is a minute late, bringing an Insurance Salesman causing Fletcher to leave for work late. Arriving at Sector T137 after it's been de-energized, Fletcher enters a terrifying gray ash world. Escaping white-robed men he flees across the street back to the everday energized world outside Sector T137 fearing he's had a psychotic episode.


On Friday, March 11 2011 Universal Pictures will release the movie "The Adjustment Bureau" starring Matt Damon and Emily Blunt. "The Adjustment Bureau" is loosely based on the Philip K. Dick short story titled "Adjustment Team".
Matt Damon plays David Norris, a former Fordham University basketball player and charismati! c United States Congressman who seems destined for national political stardom. He meets a beautiful ballet dancer named Elise Sellas, played by Blunt, only to find that strange circumstances keep them from becoming romantically involved. Norris discovers forces are at work to keep them apart, and he peels the layers to find out why.Promo Teaser Flyer for The Adjustment Bureau

Tuesday, January 17, 2012

Dodgeball - A True Underdog Story (Full Screen Edition)

  • brings a lot of laughs
Studio: Tcfhe Release Date: 12/09/2008 Run time: 92 minutes Rating: Pg13How's this for impressive trivia: Dodgeball faced off against The Terminal in opening-weekend competition, and 29-year-old writer-director Rawson Marshall Thurber aced Steven Spielberg by a score of $30 to $18.7 in box-office millions. That's no mean feat for a newcomer, but Thurber's lowbrow script and rapid-fire direction--along with a sublime cast of screen comedians--proved to be just what moviegoers were ravenous for: a consistently hilarious, patently formulaic romp in which the underdog owner of Average Joe's Gym (Vince Vaughan) faces foreclosure unless he can raise $50,000 in 30 days. The solution: A dodgeball tournament offering $50K to the winners, in which Vaughan and his nerdy clientele team up against the preening, abhorrently narcissistic owner (Ben Stiller) of Globo G! ym, who's threatening a buy-out. That's it for story; any 5-year-old could follow it with brainpower to spare. But Thurber, Vaughan, Stiller, and their well-cast costars (including Stiller's off-screen wife, Christine Taylor) keep the big laughs coming for 96 nonsensical minutes. With spot-on cameos by champion bicyclist Lance Armstrong, David Hasselhoff, Hank Azaria, Chuck Norris, and William Shatner, and a crudely amusing coda for those who watch past the credits, Dodgeball is no masterpiece, but you can bet Spielberg was unexpectedly humbled by its popular appeal. --Jeff ShannonYou'll dodge, duck, dip, dive. . . and laugh out loud watching Vince Vaughn and Ben Stiller settle their differences in a winner-take-all dodgeball competition. Under the painful tutelage of legendary ADAA champ, Patches O'Houlihan (Rip Torn), Peter LaFleur (Vaughn) and his Average Joes take on the Purple Cobras, led by egomaniacal fitness guru, White Goodman (Stiller). It's an over-! the-top underdog tale filled with hilarious sight gags and bal! ls-out f un!How's this for impressive trivia: Dodgeball faced off against The Terminal in opening-weekend competition, and 29-year-old writer-director Rawson Marshall Thurber aced Steven Spielberg by a score of $30 to $18.7 in box-office millions. That's no mean feat for a newcomer, but Thurber's lowbrow script and rapid-fire direction--along with a sublime cast of screen comedians--proved to be just what moviegoers were ravenous for: a consistently hilarious, patently formulaic romp in which the underdog owner of Average Joe's Gym (Vince Vaughan) faces foreclosure unless he can raise $50,000 in 30 days. The solution: A dodgeball tournament offering $50K to the winners, in which Vaughan and his nerdy clientele team up against the preening, abhorrently narcissistic owner (Ben Stiller) of Globo Gym, who's threatening a buy-out. That's it for story; any 5-year-old could follow it with brainpower to spare. But Thurber, Vaughan, Stiller, and their well-cast costars (includin! g Stiller's off-screen wife, Christine Taylor) keep the big laughs coming for 96 nonsensical minutes. With spot-on cameos by champion bicyclist Lance Armstrong, David Hasselhoff, Hank Azaria, Chuck Norris, and William Shatner, and a crudely amusing coda for those who watch past the credits, Dodgeball is no masterpiece, but you can bet Spielberg was unexpectedly humbled by its popular appeal. --Jeff ShannonYou'll dodge, duck, dip, dive. . . and laugh out loud watching Vince Vaughn and Ben Stiller settle their differences in a winner-take-all dodgeball competition. Under the painful tutelage of legendary ADAA champ, Patches O'Houlihan (Rip Torn), Peter LaFleur (Vaughn) and his Average Joes take on the Purple Cobras, led by egomaniacal fitness guru, White Goodman (Stiller). It's an over-the-top underdog tale filled with hilarious sight gags and balls-out fun!How's this for impressive trivia: Dodgeball faced off against The Terminal in opening-weeken! d competition, and 29-year-old writer-director Rawson Marshall! Thurber aced Steven Spielberg by a score of $30 to $18.7 in box-office millions. That's no mean feat for a newcomer, but Thurber's lowbrow script and rapid-fire direction--along with a sublime cast of screen comedians--proved to be just what moviegoers were ravenous for: a consistently hilarious, patently formulaic romp in which the underdog owner of Average Joe's Gym (Vince Vaughn) faces foreclosure unless he can raise $50,000 in 30 days. The solution: A dodgeball tournament offering $50K to the winners, in which Vaughn and his nerdy clientele team up against the preening, abhorrently narcissistic owner (Ben Stiller) of Globo Gym, who's threatening a buy-out. That's it for story; any 5-year-old could follow it with brainpower to spare. But Thurber, Vaughn, Stiller, and their well-cast costars (including Stiller's off-screen wife, Christine Taylor) keep the big laughs coming for 96 nonsensical minutes. With spot-on cameos by champion bicyclist Lance Armstrong, David Hasselhoff, Han! k Azaria, Chuck Norris, and William Shatner, and a crudely amusing coda for those who watch past the credits, Dodgeball is no masterpiece, but you can bet Spielberg was unexpectedly humbled by its popular appeal. --Jeff ShannonYou'll dodge, duck, dip, dive. . . and laugh out loud watching Vince Vaughn and Ben Stiller settle their differences in a winner-take-all dodgeball competition. Under the painful tutelage of legendary ADAA champ, Patches O'Houlihan (Rip Torn), Peter LaFleHow's this for impressive trivia: Dodgeball faced off against The Terminal in opening-weekend competition, and 29-year-old writer-director Rawson Marshall Thurber aced Steven Spielberg by a score of $30 to $18.7 in box-office millions. That's no mean feat for a newcomer, but Thurber's lowbrow script and rapid-fire direction--along with a sublime cast of screen comedians--proved to be just what moviegoers were ravenous for: a consistently hilarious, patently formulaic romp i! n which the underdog owner of Average Joe's Gym (Vince Vaughan! ) faces foreclosure unless he can raise $50,000 in 30 days. The solution: A dodgeball tournament offering $50K to the winners, in which Vaughan and his nerdy clientele team up against the preening, abhorrently narcissistic owner (Ben Stiller) of Globo Gym, who's threatening a buy-out. That's it for story; any 5-year-old could follow it with brainpower to spare. But Thurber, Vaughan, Stiller, and their well-cast costars (including Stiller's off-screen wife, Christine Taylor) keep the big laughs coming for 96 nonsensical minutes. With spot-on cameos by champion bicyclist Lance Armstrong, David Hasselhoff, Hank Azaria, Chuck Norris, and William Shatner, and a crudely amusing coda for those who watch past the credits, Dodgeball is no masterpiece, but you can bet Spielberg was unexpectedly humbled by its popular appeal. --Jeff Shannon

Fred Claus

  • This is a story you?ve never heard before, a hilarious and heartwarming comedy about Fred Claus, Santa?s brother ? and complete opposite. After growing up in saintly Nick?s shadow, Fred becomes a grouch who?s lost his belief in Christmas. Then, one magical December, Fred flies north (first via reindeer) to find brother Nick is in trouble: a scheming efficiency expert is out to shut down Christmas
When their only daughter Blair leaves the family nest, Luther and Nora Krank (Tim Allen and Jamie Lee Curtis) decide to book an island cruise to beat the yuletide blues and just skip the holidays. But their decision to boycott tradition has the whole neighborhood in an uproar, and when Blair callson Christmas Eve to announce a surprise visit with her new fiancée, the Kranks have just twelve hours to perform a miracle and pull themselves and their neighbors together to throw the best celebration ev! er.A hilarious family comedy! Subtitled in English, French, Chinese, Thai. Wide and full screen.Matthew Broderick and Danny DeVito are hilarious as two neighbors trying to put the "win" in "winter" in one of the year's funniest comedies! Determined to unseat Steve Finch's (Broderick) reign as the town's holiday season king, Buddy Hall (DeVito) plasters his house with so many decorative lights that it'll be visible from space! When their wives (Kristin Davis and Kristin Chenoweth) bond, and their kids follow suit, the two men only escalate their rivalry ­ and their decorating. It's anybody's guess whether the holidays will wind up jolly or jostled in this wild and woolly laugh-fest that the whole family will love!Facing another lonely christmas drew wants to revisit his childhood home & relive holiday memories. But when he gets there he finds another family living in the home. Drew offers a nice financial reward to the family. But is his cash the beginning of an annoying! visitor who is overeager to celebrate christmas? Studio: Par! amount H ome Video Release Date: 08/19/2008 Starring: Ben Affleck Christina Applegate Run time: 91 minutes Rating: Pg13When their only daughter Blair leaves the family nest Luther and Nora Krank (Tim Allen and Jamie Lee Curtis) decide to book an island cruise to beat the yuletide blues and just skip the holidays. But their decision to boycott tradition has the whole neighborhood in an uproar and when Blair calls on Christmas Eve to announce a surprise visit with her new fianc e the Kranks have just twelve hours to perform a miracle and pull themselves and their neighbors together to throw the best celebration ever! With fast-paced energy and support from Dan Aykroyd Cheech Marin Jake Busey and M. Emmet Walsh this hilarious adaptation of John Grisham's best-selling novel "Skipping Christmas" has become "an instant family classic!" (Gorman Woodfin CBN)System Requirements: Running Time 99 MinFormat: UMD Genre: COMEDY Rating: PG UPC: 043396125452 Manufacturer No: 12545

Features include:

•MPAA Rating: PG
•Format: DVD
•Runtime: 116 minutes
Vince Vaughn is enormously enjoyable as the titular Fred Claus, disgruntled older brother of the better-known St. Nicholas himself, i.e., the North Pole’s very own Santa (Paul Giamatti). A garrulous hustler running from the emotional fallout of the ultimate sibling rivalry, poor Fred keeps trying to find happiness through one failed scheme after another, pushing away the people who care about him most. When brother Santa puts the squeeze on him to help out in the toy factory atop the world, Fred turns the place into one big, raucous party. Unfortunately, he’s unaware that Santa and Mrs. Claus (Miranda Richardson) are under tight scrutiny from an oversight committee (represented by a calculating Kevin Spacey) and could be shut down. The film, directed by David Dobkin (Wedding Crashers), gleams and twinkles the way a holiday movie should, and has plenty of ! fun material for youngsters, including a wacky chase scene in ! which Fr ed goes on the run from a half-dozen, angry Salvation Army Santas. But Fred Claus is also supposed to appeal to hip adults with a taste for ironic farce, and on that score the movie feels like a succession of Saturday Night Live skits more than an organic whole. Still, Vaughn holds everything together with a smart, insightful performance that looks deep into his character’s torment--with more than a few laughs. --Tom Keogh

Giottos AA1900 Rocket Air Blaster Large - Black

  • Stands upright
  • 7.5-Inch long
  • 2.25-Inch long nozzle
  • 2.4-Inch diameter
  • Durable long-lasting construction
This Sundance Film Festival award winner, focuses on a troubled teen trapped by the city, planning for the day that he can make a new life with his uncle in New Mexico. Just when he is on the verge of realizing his dream, a stunning turn of events creates a dark vortex that threatens to pull him down...unless he can engineer his escape. 16 x 9, Letterboxed.  Important Note: This film has been manufactured from the best-quality video master currently available and has not been remastered or restored specifically for this DVD release.

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.

Large black Rocket Air Blaster easily removes dust and debris from cameras, lenses and filters with a powerful blast of air. Made of rubber. Includes a one-way valve to prevent Blaster from breathing in dust and spreading it back to your equipment.

Monday, January 16, 2012

Prince And Dragon Go Getter

  • Connect the pathways
  • All pieces are easily stored in base of game
  • Multiple solutions for each puzzle
  • 48 challenges
  • One player game
This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages.Peter B. Kyne (1880â€"1957) was an American novelist, many of whose works were adapted into screenplays, something at which he proved to be a huge success. He is credited in 110 films between 1914 and 1952.

When still under 18, he lied about his age and enlisted in the U.S. Infantry, serving in the Philippines from 1898-1899. The Spanish-American War provided background for many of Kyne's later stories. During World War I, he served as a captain in the artillery.

He was born and died in San Francisco, California.

THE GO GETTER is the story of a war veteran with few prospects but making good. It's a! bout overcoming great obstacles in the financial world to "make it" and become successful with what you want to achieve, finding the positive energy and business smarts to get where you want to be in a career. This book has been a popular and lasting inspiration to employees and employers alike since its first publication.

Every office has one â€" a Go-Getter Girl â€" someone who seems to just know certain stuff about how to get the plum jobs/lifestyle she wants and damn, always looks great while she's at it. Magic? No, it’s about strategizing--and The Go-Getter Girl’s Guide shows you how.

Born out of interviews with hundreds of successful, stylish young women--including award-winning journalist Soledad O’Brien, Spanx founder Sara Blakely, and bestselling novelist Emily Giffin--The Go-Getter Girl’s Guide provides a no-excuses, big-picture way of thinking about your life and career, as well as day-to-day strategies for how ! to:

  • Navigate the tricky terrain of office poli! tics
  • Find and use a mentor
  • Figure out when it’s time to get a new job (or career)â€"and have the courage to act
  • Dress (and groom!) for success
  • And take care of yourself physically and emotionally

 

Combining the practical career wisdom of What Color Is Your Parachute? with the savvy fashion guidance of The Little Black Book of Style, this dynamite guide is sure to bring out the Go-Getter in generations of women to come.
This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

Every office has one â€" a Go-Gette! r Girl â€" someone who seems to just know certain stuff about how to get the plum jobs/lifestyle she wants and damn, always looks great while she's at it. Magic? No, it’s about strategizing--and The Go-Getter Girl’s Guide shows you how.

Born out of interviews with hundreds of successful, stylish young women--including award-winning journalist Soledad O’Brien, Spanx founder Sara Blakely, and bestselling novelist Emily Giffin--The Go-Getter Girl’s Guide provides a no-excuses, big-picture way of thinking about your life and career, as well as day-to-day strategies for how to:

  • Navigate the tricky terrain of office politics
  • Find and use a mentor
  • Figure out when it’s time to get a new job (or career)â€"and have the courage to act
  • Dress (and groom!) for success
  • And take care of yourself physically and emotionally

 

Combining the practical career wisdom of What Color Is Yo! ur Parac hute? with the savvy fashion guidance of The Little Black Book of Style, this dynamite guide is sure to bring out the Go-Getter in generations of women to come.

Every office has one â€" a Go-Getter Girl â€" someone who seems to just know certain stuff about how to get the plum jobs/lifestyle she wants and damn, always looks great while she's at it. Magic? No, it’s about strategizing--and The Go-Getter Girl’s Guide shows you how.

Born out of interviews with hundreds of successful, stylish young women--including award-winning journalist Soledad O’Brien, Spanx founder Sara Blakely, and bestselling novelist Emily Giffin--The Go-Getter Girl’s Guide provides a no-excuses, big-picture way of thinking about your life and career, as well as day-to-day strategies for how to:

  • Navigate the tricky terrain of office politics
  • Find and use a mentor
  • Figure out ! when it’s time to get a new job (or career)â€"and have the courage to act
  • Dress (and groom!) for success
  • And take care of yourself physically and emotionally

 

Combining the practical career wisdom of What Color Is Your Parachute? with the savvy fashion guidance of The Little Black Book of Style, this dynamite guide is sure to bring out the Go-Getter in generations of women to come.
Table of Contents

Cappy Ricks
Cappy Ricks Retires
Captain Scraggs Illustrated
The Go-Getter
Kindred of the Dust Illustrated
The Long Chance
The Pride of Palomar Illustrated
The Valley of the Giants

Appendix:
Peter B. Kyne BiographyTable of Contents

Cappy Ricks
Cappy Ricks Retires
Captain Scraggs Illustrated
The Go-Getter
Kindred of the Dust Illustrated
The Long Chance
The Pride of Palomar Illustrated
The Val! ley of the Giants

Appendix:
Peter B. Kyne Biography! The Go-G etter is a classic motivational business parable in the form of a short novel by American author Peter B. Kyne, with a foreword by Dave Ramsey.The Go-Getter is a classic motivational business parable in the form of a short novel by American author Peter B. Kyne, with a foreword by Dave Ramsey.

How is the prince going to find the princess? With two pathways careening off the playing grid and onto the gameboard, and a picture tile featuring its very own dragon, the game moves into an exciting new arena. Choose a challenge and place it together with the tiles beside the gameboard. Arrange the nine tiles on the gameboard to connect the correct icons with each other, but avoid making connections that are not allowed based on the challenge. You have solved the challenge!

  • Recommended Ages: 5 years & Up

The Omnivore's Dilemma: A Natural History of Four Meals

  • ISBN13: 9780143038580
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Tremaine is good for Natalieâ€"well at least on paperâ€"but Natalie has a secret. She craves women and it’s become a feeling she can’t resist.
Natalie meets Jaharie, a beautiful biracial woman, who wants a relationship with a man or a woman. Love is the only thing that matters to her. Natalie is thoroughly intrigued with Jaharie. She wants her, but being with a woman full-time isn’t what Natalie has in her plans and she knows her mother will never approve. She wants a husband, childrenâ€"a ‘normal’ lifeâ€"and is on track to acquiring this.
She plans to keep Jaharie a secret until she meets Tamala, a powerful, successful attorney and very attractive Lesbian who wants to take Natalie ! away from both Jaharie and Tremaine. Tamala has the savvy and financial power to woo Natalie right into her arms. Their relationship works for a while, until a past lover of Tamala’s vows to kill Natalie if she doesn’t stop seeing her. Natalie fears Tamala’s deranged lover but doesn’t leave until she learns a huge secret of hers.
Dilemma is a fast paced novel that will keep you intrigued and surprised.Tremaine is good for Natalieâ€"well at least on paperâ€"but Natalie has a secret. She craves women and it’s become a feeling she can’t resist.
Natalie meets Jaharie, a beautiful biracial woman, who wants a relationship with a man or a woman. Love is the only thing that matters to her. Natalie is thoroughly intrigued with Jaharie. She wants her, but being with a woman full-time isn’t what Natalie has in her plans and she knows her mother will never approve. She wants a husband, childrenâ€"a ‘normal’ lifeâ€"and is on track to acquiring this.
She plan! s to keep Jaharie a secret until she meets Tamala, a powerful,! success ful attorney and very attractive Lesbian who wants to take Natalie away from both Jaharie and Tremaine. Tamala has the savvy and financial power to woo Natalie right into her arms. Their relationship works for a while, until a past lover of Tamala’s vows to kill Natalie if she doesn’t stop seeing her. Natalie fears Tamala’s deranged lover but doesn’t leave until she learns a huge secret of hers.
Dilemma is a fast paced novel that will keep you intrigued and surprised.A national bestseller that has changed the way readers view the ecology of eating, this revolutionary book by award winner Michael Pollan asks the seemingly simple question: What should we have for dinner? Tracing from source to table each of the food chains that sustain us--whether industrial or organic, alternative or processed--he develops a portrait of the American way of eating.

The result is a sweeping, surprising exploration of the hungers that have shaped our evolution, and of the ! profound implications our food choices have for the health of our species and the future of our planet.

Friday, January 13, 2012

Breakdown, Breakthrough: The Professional Woman's Guide to Claiming a Life of Passion, Power, and Purpose

  • ISBN13: 9781576755594
  • Condition: New
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Carmilla, Queen of the Night, is a shape-shifting raven whose fictional exploits thrill girls all over the world. When tweens in Chicago's Carmilla Club hold an initiation ritual in an abandoned cemetery, they stumble on an actual corpse, a man stabbed through the heart in a vampire-style slaying.

The girls include daughters of some of Chicago's most powerful families: The grandfather of one, Chaim Salanter, is one of the world's wealthiest men; the mother of another, Sophy Durango, is the Illinois Democratic candidate for Senate.

For V. I. Warshawski, the questions multiply faster than the answers. Is the killing linked to a hostile media campaign against Sophy Durango? Or to Chai! m Salanter's childhood in Nazi-occupied Lithuania? As V.I. struggles for answers, she finds herself fighting enemies who are all too human.

Carmilla, Queen of the Night, is a shape-shifting raven whose fictional exploits thrill girls all over the world. When tweens in Chicago's Carmilla Club hold an initiation ritual in an abandoned cemetery, they stumble on an actual corpse, a man stabbed through the heart in a vampire-style slaying.

The girls include daughters of some of Chicago's most powerful families: The grandfather of one, Chaim Salanter, is one of the world's wealthiest men; the mother of another, Sophy Durango, is the Illinois Democratic candidate for Senate.

For V. I. Warshawski, the questions multiply faster than the answers. Is the killing linked to a hostile media campaign against Sophy Durango? Or to Chaim Salanter's childhood in Nazi-occupied Lithuania? As V.I. struggles for answers, she finds herself fighting enemies who are all too hu! man.



Carmilla, Queen of the Night, is a shape-s! hifting raven whose fictional exploits thrill girls all over the world. When tweens in Chicago's Carmilla Club hold an initiation ritual in an abandoned cemetery, they stumble on an actual corpse, a man stabbed through the heart in a vampire-style slaying.

The girls include daughters of some of Chicago's most powerful families: The grandfather of one, Chaim Salanter, is one of the world's wealthiest men; the mother of another, Sophy Durango, is the Illinois Democratic candidate for Senate.

For V. I. Warshawski, the questions multiply faster than the answers. Is the killing linked to a hostile media campaign against Sophy Durango? Or to Chaim Salanter's childhood in Nazi-occupied Lithuania? As V.I. struggles for answers, she finds herself fighting enemies who are all too human.



Six years after a pandemic devastates the human population and unstoppable computer viruses have destroyed much of the world’s technology, Chris Price finally makes it from New Yo! rk to Britain to reunite with his brother. But the horrors he’s witnessed and unresolved grief over his dead wife and baby have changed him. Can he let go of his past, unlock his heart, and learn to find love again?
Six years after a pandemic devastates the human population, and the subsequent loss of much of the world's technology, Chris Price finally makes it from New York to Britain to reunite with his brother. But unresolved grief over his dead wife and baby and the horrors he witnessed as he traveled through a changed world have damaged him. He struggles to let go of his past, accept the healing kindness of those around him, and let love back into his life.


What others are saying:

"...this one stands out because it doesn't dwell on the particulars of difficult living conditions, but instead focuses on personal recovery and relationships."

"...a lovely, emotional story of loss and redemption... full of well-developed charac! ters whose journeys end in self-discovery, recovery from loss,! and lov e."

"...a book that has something for everyone."

"Buy it if you like Margaret Atwood's work or if you enjoyed One Second After by William R. Forstchen. It's that good."

Breakdown is a full-length novel of approximately 103,000 words, or 425 printed pages.

Six years after a pandemic devastates the human population, and the subsequent loss of much of the world's technology, Chris Price finally makes it from New York to Britain to reunite with his brother. But unresolved grief over his dead wife and baby and the horrors he witnessed as he traveled through a changed world have damaged him. He struggles to let go of his past, accept the healing kindness of those around him, and let love back into his life.


What others are saying:

"...this one stands out because it doesn't dwell on the particulars of difficult living conditions, but instead focuses on personal recovery and relationships."

"...a lovely, emotional ! story of loss and redemption... full of well-developed characters whose journeys end in self-discovery, recovery from loss, and love."

"...a book that has something for everyone."

"Buy it if you like Margaret Atwood's work or if you enjoyed One Second After by William R. Forstchen. It's that good."

Breakdown is a full-length novel of approximately 103,000 words, or 425 printed pages.
More and more women who are outwardly "successful" in their professions have awakened to the realization that their work is no longer positive, meaningful, or productive in their lives. Kathy Caprino's groundbreaking book sheds light on this growing epidemic of disempowerment that professional women face and offers a way out.

To help these women in crisis, "Breakdown, Breakthrough" begins where other coaching and self-help books leave off. Using a comprehensive therapeutic, coaching, behavioral and spiritual framework, it looks at the traits, characteristics, an! d patterns that contribute to these disempowerment syndromes, ! and it e xplains how women can navigate successfully through these crises.


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