The Diving Bell and the Butterfly: A Memoir of Life in Death

• ISBN13: 9780375701214
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

In 1995, Jean-Dominique Bauby was the editor-in-chief of French Elle, the father of two young childen, a 44-year-old man known and loved for his wit, his style, and his impassioned approach to life. By the end of the year he was also the victim of a rare kind of stroke to the brainstem.  After 20 days in a coma, Bauby awoke into a body which had all but stopped working: only his left eye functioned, allowing him to see and, by blinking it, to make clear that his mind was unimpaired. Almost miraculously, he was soon able to express himself in the richest detail: dictating a word at a time, blinking to select each letter as the alphabet was recited to him slowly, over and over again. In the same! way, he was able eventually to compose this extraordinary book.

By turns wistful, mischievous, angry, and witty, Bauby bears witness to his determination to live as fully in his mind as he had been able to do in his body. He explains the joy, and deep sadness, of seeing his children and of hearing his aged father's voice on the phone. In magical sequences, he imagines traveling to other places and times and of lying next to the woman he loves. Fed only intravenously, he imagines preparing and tasting the full flavor of delectable dishes. Again and again he returns to an "inexhaustible reservoir of sensations," keeping in touch with himself and the life around him.

Jean-Dominique Bauby died two days after the French publication of The Diving Bell and the Butterfly.

This book is a lasting testament to his life.We've all got our idiosyncrasies when it comes to writing--a special chair we have to sit in, a certain kind of yellow paper we absolute! ly must use. To create this tremendously affecting memoir, Je! an-Domin ique Bauby used the only tool available to him--his left eye--with which he blinked out its short chapters, letter by letter. Two years ago, Bauby, then the 43-year-old editor-in-chief of Elle France, suffered a rare stroke to the brain stem; only his left eye and brain escaped damage. Rather than accept his "locked in" situation as a kind of death, Bauby ignited a fire of the imagination under himself and lived his last days--he died two days after the French publication of this slim volume--spiritually unfettered. In these pages Bauby journeys to exotic places he has and has not been, serving himself delectable gourmet meals along the way (surprise: everything's ripe and nothing burns). In the simplest of terms he describes how it feels to see reflected in a window "the head of a man who seemed to have emerged from a vat of formaldehyde."

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Hoodwinked (Widescreen Edition)

• A new spin on an old fable. In this film, Red, Granny, The Big Bad Wolf and the Woodman, all face Detective Flippers as he attempts to determine the 'real' events of the Little Red Riding Hood story. Original songs and witty humor fill this fun and adventurous film. Format: DVD MOVIE Genre: CHILDREN Rating: PG Age: 796019791090 UPC: 796019791090 Manufacture

So you think you know the story of Little Red Riding Hood. Don’t be too sure. . . . One of your favorite fairy tales is turned upside-down and inside-out in what the L.A. Times called "high-energy, imaginative entertainment." With irreverent storytelling, spunk and wit, Hoodwinked delivers a comedy caper for the young, the young at heart and everyone in between. When the police arrive at Granny’s cottage in the woods to answer a domestic disturbance call, it looks like just another open-and-shut case. But Red, Granny, the B! ig Bad Wolf and the Woodsman are not your usual suspects, as they have their own dark secrets, wily deceptions and conflicting accounts of the crime. Together, they must put aside their differences and find their own original twist on Happily Ever After in this "raucous, genre-busting, animated gem (Entertainment Weekly, The Must List)."Hoodwinked fuses the classic fairy tale of Little Red Riding Hood with the crisscrossing storylines of film noir--pretty ambitious stuff for a computer-animated cartoon. The police cordon off Grandma's cottage and an amphibious version of William Powell named Nicky Flippers (voiced by David Ogden Stiers, M*A*S*H) begins interrogating the suspects: A Little Red in bell-bottoms (Anne Hathaway, Ella Enchanted), a Wolf turned investigative journalist (Patrick Warburton, The Woman Chaser), a snow-boarding Granny (Glenn Close, 101 Dalmatians), and a dimwitted would-be Woodsman (Jim Belushi, Curly! Sue), each of whom have very different reasons for ending! up in t hat cottage living room. The visual style of Hoodwinked mixes a clunky, video-game look with an homage to the stop-motion puppetry of Rudolph the Red-Nosed Reindeer and other Rankin-Bass holiday specials. While sometimes awkward, there are also moments of surreal beauty, such as when a depressed Red wanders through a field of blue and red flowers--and moments of lunatic comedy, such as the Schnitzel song, which is irresistibly bizarre. The Shrek-style pop-culture references grow annoying, but the left-field goofiness of a yodeling goat points toward a far more distinct and delightful comic world. Also featuring the voices of Anthony Anderson (Kangaroo Jack), rapper Xzibit, and an especially witty turn by Andy Dick (NewsRadio) as a deceptively cute bunny rabbit. --Bret Fetzer

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The Man with No Name Trilogy (A Fistful of Dollars / For a Few Dollars More / The Good, The Bad, and the Ugly) [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Box set; Color; Dolby; DTS Surround Sound; Dubbed; Full Screen; Restored; Subtitled; Widescree

Sergio Leone “spaghetti westerns” did not simply add a new chapter to the genre…they reinvented it. From his shockingly violent and stylized breakthrough, A Fistful of Dollars, to the film Quentin Tarantino calls “the best-directed movie of all time,” The Good, the Bad and the Ugly, Leone’s vision did for westerns what talkies did for all movies back in the 1920s: it elevated them to an entirely new art form. Fully restored, presented in high definition with their best-ever audio, and including audio commentaries, featurettes and more, these films are much more than the definitive Leone collection...they are the most ambitious and influential westerns ever made.

A Fistfull Of Dollars
Clint Eastwood’s legendary “M! an With No Name” makes his powerful debut in this thrilling, action-packed classic in which he manipulates two rival bands of smugglers and sets in motion a plan to destroy both in a series of brilliantly orchestrated setups, showdowns and deadly confrontations.

For A Few Dollars More
Oscar® Winner Clint Eastwood** continues his trademark role in this second installment of the trilogy, this time squaring off with Indio, the territory’s most treacherous bandit. But his ruthless rival, Colonel Mortimer (Lee Van Cleef, High Noon), is determined to bring Indio in first...dead or alive!

The Good, The Bad And The Ugly
The invincible “Man With No Name” (Eastwood) aligns himself with two gunslingers (Lee Van Cleef and Eli Wallach) to pursue a fortune in stolen gold. But teamwork doesn’t come naturally to such strong-willed outlaws, and they soon discover that their greatest challenge may be to stay focused â€" and stay alive â€" in a! country ravaged by war.Review for A Fistful of Do! llars:
A Fistful of Dollars launched the spaghetti Western and catapulted Clint Eastwood to stardom. Based on Akira Kurosawa's 1961 samurai picture Yojimbo, it scored a resounding success (in Italy in 1964 and the U.S. in 1967), as did its sequels, For a Few Dollars More and The Good, the Bad and the Ugly. The advertising campaign promoted Eastwood's character--laconic, amoral, dangerous--as the Man with No Name (though in the film he's clearly referred to as Joe), and audiences loved the movie's refreshing new take on the Western genre. Gone are the pieties about making the streets safe for women and children. Instead it's every man for himself. Striking, too, was a new emphasis on violence, with stylized, almost balletic gunfights and baroque touches such as Eastwood's armored breastplate. The Dollars films had a marked influence on the Hollywood Western--for example, Sam Peckinpah's The Wild Bunch--but their most enduring legacy is Clint Eastwood himse! lf. --Edward Buscombe

Review for The Good, the Bad, and the Ugly:
If you think of A Fistful of Dollars and For a Few Dollars More as the tasty appetizers in Sergio Leone's celebrated "Dollars" trilogy of Italian "Spaghetti" Westerns, then The Good, the Bad, and the Ugly is a lavish full-course feast. Readily identified by the popular themes of its innovative score by Ennio Morricone (one of the bestselling soundtracks of all time), this cinematic milestone eclipsed its influential predecessors with a $1.2 million budget (considered extravagant in the mid-1960s), greater production values to accommodate Leone's epic vision of greed and betrayal, and a three-hour running time for its wide-ranging plot about the titular trio of mercenaries ("Good" Blondie played by rising star Clint Eastwood, "Bad" Angel Eyes played by Lee Van Cleef, and "Ugly" Tuco played by Eli Wallach) in a ruthless Civil War-era! quest for $200,000 worth of buried Confederate gold. Virtuall! y all of Leone's stylistic attributes can be found here in full fruition, from the constant inclusion of Roman Catholic iconography to a climactic circular shoot-out, along with Leone's trademark use of surreal landscapes, brilliant widescreen compositions and extreme close-ups of actors so intimate that they burn into the viewer's memory. And while some Leone fans may favor the more scaled-down action of For a Few Dollars More or the masterful grandiosity of Once Upon a Time in the West, it was The Good, the Bad, and the Ugly that cemented Leone's reputation as a world-class director with a singular vision. --Jeff Shannon

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Speck Products ShieldView Anti-Glare Screen Protector for iPhone 4 (3 Pack + 1 Bonus Back Film)

• Protects touchscreens from scratches and smudges
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There is an indescribable freedom that comes from physically deceiving the world.

If you are a fan of Halloween then you know the euphoria of pretending to be Frankenstein or a prostitute or Spiderman or Wonder Woman or a tiger or Dorothy or any old somebody or something that you are not.

To be free of social constraints, to melt the wor! ld as you know it for an evening, to be tantalized by uniqueness, causes tens of millions of people to be filled with glee on the last day of October. Some people spend a week's pay and a year's plotting to come up with the perfect costume that will blow their friends' minds away.

For some reason, people experience untold amounts of elation when they get to pretend to be somebody who they are not.

Multiply that by 50,000 and you would come close to the level of euphoria you'd reach if you got to actually parade around in the skin of somebody else for a few days. Just imagine if, all of a sudden, with the mere injection of a needle, you became Asian or a midget or a man. A quick sting in the ribs and you're blonde or pretty or have an Afro. Just imagine becoming any of these combinations and infinitely more. Since you are no longer actually you, you are immediately freed up to talk to whomever you want to talk to without fear of them judging you. All of! a sudden, you can take revenge on enemies, commit crimes and ! be lasci vious without fear of repercussions. All of a sudden, you are free.

Imagine how much fun it would be to be anybody or anything you wanted to be!

And with absolutely no constraints, no restrictions, no limitations, no boundaries, no gravity!

Wouldn't that be great?!

The novel blurred explores this scenario and makes the following analogy:

Drop a frog into a pot of water and he'll swim about contentedly. Fatten him up with a few flies and he'll be the happiest frog in the world. He will swim around blissfully, unaware that a fire has been built beneath his pot, only that it has become warmer, until he is finally cooked alive.

blurred turns this figurative frog into Sam Senior who swims naively in a social milieu that has had a fire applied to it for generations. Brilliant in his use of the innernet (an internet connection in the brain), Sam can navigate dozens of websites simultaneously. A NetJeopardy champion ! on a full ride at a prestigious university, Sam's future looks bright. Perpetually checking social sites while surfing the net, even as he converses with people nearby, Sam doesn't initially realize that he is being held in the ubiquitous sway of a constant communication that paradoxically leads to a lack of real communication, a lack of deep communication.

However, Sam takes a class where he learns about a (possibly) mythological drug, DNA, which instantly alters a person's physical identity and is used primarily for either recreational sex, crime, or revenge. His professor teaches his class by having students read about "drops" he has taken where he engages in the above activities. Slowly, Sam begins to realize that the pot he is swimming in is getting too hot.

Mirrored by a future that suffers from a general dearth of love, Sam's loneliness is palpable. For, although the future is excessively promiscuous, love and sex are not always interchangeable. ! A hopeless romantic, Sam wants to wait for just the right woma! n before engaging in intercourse. Of course, with most people taking several sex partners a month, everyone mocks him as prude.

As the world begins to blur together, like water in a boiling pot, Sam quests after love. Buffeted about by reality, he finally finds the arms of a fascinating woman. Simpatico, they both realize that there is nothing in a transitory world but one another and the hope that their love can carry them through the darkness that is postmodernity.blurred is life when communications become utterly instantaneous and ubiquitous. When email is the new snail mail, texting is walking through sand with snow boots, and even Twitter is a bit too detailed.



blurred is what happens to the present as different cultures are absorbed into a monolithic, computer dominated culture that is attempting to rebuild the Tower of Babel.



blurred is the tale of a young man, Sam Senior, Jr., who can simultaneously blog, email and s! urf the net, even as he is having conversations with people who are standing directly in front of him. Using a program that is connected directly to his brain to accomplish all this, his ability to multitask makes him a celebrity at a very young age.



blurred then explores how a constant surge of communication leads paradoxically to a lack of real communication, a lack of deep communication. This steady flow of information leads to people being too "found" to ever become "lost." And lost people are the best at finding love. Therefore, the future suffers from a general dearth of love in a society that is mirrored in Sam's loneliness.



A hopeless romantic, Sam wants to wait for just the right woman before engaging in sexual intercourse. Of course, this being the promiscuous future with most people taking several different lovers a month, everyone mocks him as a prude. Nevertheless, as his friends engage in one sexual activity aft! er the other, Sam stands tall in his conviction ... for awhile! .
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There is a parable about a frog dropped into a pot of cool water who swims about contentedly even as a fire is built under him for cooking purposes. blurred substitutes out the frog with modern humanity and the fire with progress. The question is, do you jump out of the pot or continue to swim in the water while it’s still nice and warm?

There is a parable about a frog dropped into a pot of cool water who swims about contentedly even as a fire is built under him for cooking purposes. blurred substitutes out the frog with modern humanity and the fire with progress. The question is, do you jump out of the pot or continue to swim in the water while it’s still nice and warm?blurred is life when communications become utterly instantaneous and ubiquitous. When email is the new snail mail, texting is walking through sand with snow boots, and even Twitter is a bit too detailed.



blurred is what happens to the present as different cult! ures are absorbed into a monolithic, computer dominated culture that is attempting to rebuild the Tower of Babel.



blurred is the tale of a young man, Sam Senior, Jr., who can simultaneously blog, email and surf the net, even as he is having conversations with people who are standing directly in front of him. Using a program that is connected directly to his brain to accomplish all this, his ability to multitask makes him a celebrity at a very young age.



blurred then explores how a constant surge of communication leads paradoxically to a lack of real communication, a lack of deep communication. This steady flow of information leads to people being too "found" to ever become "lost." And lost people are the best at finding love. Therefore, the future suffers from a general dearth of love in a society that is mirrored in Sam's loneliness.



A hopeless romantic, Sam wants to wait for just the right woman before engaging in sexual in! tercourse. Of course, this being the promiscuous future with m! ost peop le taking several different lovers a month, everyone mocks him as a prude. Nevertheless, as his friends engage in one sexual activity after the other, Sam stands tall in his conviction ... for awhile.



There is a parable about a frog dropped into a pot of cool water who swims about contentedly even as a fire is built under him for cooking purposes. blurred substitutes out the frog with modern humanity and the fire with progress. The question is, do you jump out of the pot or continue to swim in the water while it’s still nice and warm?

There is a parable about a frog dropped into a pot of cool water who swims about contentedly even as a fire is built under him for cooking purposes. blurred substitutes out the frog with modern humanity and the fire with progress. The question is, do you jump out of the pot or continue to swim in the water while it’s still nice and warm?Australia released, PAL/Region 4 DVD: it WILL NOT play on standard US DVD player.! You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 5.1 ), English ( Dolby DTS 5.1 ), ANAMORPHIC WIDESCREEN (1.78:1), SPECIAL FEATURES: Anamorphic Widescreen, Commentary, Deleted Scenes, Interactive Menu, Scene Access, Short Film, Teaser(s), Trailer(s), SYNOPSIS: After high school graduation, the tradition of 'Schoolies Week' has emerged at a Queensland's Gold Coast resort in which 70,000 kids from all over Australia congregate for a hedonistic week of drinking, drugs, and sex. Five couples travelling to this party of a life-time are in for the ride of their lives. ...BlurredSpeck Products ShieldView Anti-Glare Screen Protector for iPhone 4

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Elf [Blu-ray]

• This hilarious Christmas film tells the tale of a young orphan child who mistakenly crawls into Santa's bag of gifts on Christmas Eve and is transported back to the North Pole and raised as an elf. Years later Buddy learns he is not really an elf and goes on a journey to New York City to find his true identity.Running Time: 95 min. Format: BLU-RAY DISC Genre: COMEDY Rating: PG A

This hilarious Christmas film tells the tale of a young orphan child who mistakenly crawls into Santa's bag of gifts on Christmas Eve and is transported back to the North Pole and raised as an elf. Years later Buddy learns he is not really an elf and goes on a journey to New York City to find his true identity.

DVD Features:
Audio Commentary:2 commentaries with Will Ferrell & Director
DVD ROM Features
Deleted Scenes
Featurette:Film school for kids Tag along with Will! Ferrell How they made the North Pole Kids on Christmas and more!
Other:2-Disc Infinifilm DVD Widescreen version on Disc 1 and Fullscreen version on Disc 2 Spanish Language Track Elf Karaoke Read-Along Infinifilm Fact Tack Buddy's Adventure Game Elf Decoder Card and more!

Elf is genuinely good. Not just Saturday Night Live-movie good, when the movie has some funny bits but is basically an insult to humanity; Elf is a smartly written, skillfully directed, and deftly acted story of a human being adopted by Christmas elves who returns to the human world to find his father. And because the writing, directing, and acting are all genuinely good, Elf is also genuinely funny. Will Ferrell, as Buddy the adopted elf, is hysterically sincere. James Caan, as his rediscovered father, executes his surly dumbfoundedness with perfect aplomb. Zooey Deschanel, as a department store worker with whom Buddy falls in love, is adorably sardonic! . Director Jon Favreau (Swingers) shepherds the movie! through all the obligatory Christmas cliches and focuses on material that's sometimes subtle and consistently surprising. Frankly, Elf feels miraculous. Also featuring Mary Steenburgen, Bob Newhart, Peter Dinklage, and Ed Asner as Santa Claus. --Bret Fetzer

Stills from Elf (click for larger image)

ELF - Blu-Ray MovieElf is genuinely good. Not just Saturday Night Live-movie good, when the movie has some funny bits but is basically an insult to humanity; Elf is a smartly written, skillfully directed, and deftly acted story of a human being adopted by Christmas elves who returns to the human world to find his father. And because the writing, directing, and acting are all genuinely good, Elf is also genuinely funny. Will Ferrell, as Buddy the adopted elf, is hysterically sincere. James Caan, as his rediscovered father, executes his surly dumbfoundedness with perfect aplomb. Zooey Deschanel, as a department store worker with whom Buddy falls in love, is adorably sardonic. Director Jon Favreau (Swingers) shepherds the movie through all the obligatory Christmas cliches and focuses on material that's sometimes subtle and consistently surprising. Frankly, Elf feels miraculous.! Also featuring Mary Steenburgen, Bob Newhart, Peter Dinklage,! and Ed Asner as Santa Claus. --Bret Fetzer

Stills from Elf (click for larger image)

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Flawless

• From director Michael Radford (THE MERCHANT OF VENICE, IL POSTINO) comes FLAWLESS, a clever diamond-heist thriller set in swinging 1960s London. Demi Moore plays Laura Quinn, a bright, driven and beautiful executive at the London Diamond Corporation who finds herself frustrated by a glass ceiling after years of faithful employment, as man after man is promoted ahead of her despite her greater expe

From director Michael Radford (THE MERCHANT OF VENICE IL POSTINO) comes FLAWLESS a clever diamond-heist thriller set in swinging 1960s London. Demi Moore plays Laura Quinn a bright driven and beautiful executive at the London Diamond Corporation who finds herself frustrated by a glass ceiling after years of faithful employment as man after man is promoted ahead of her despite her greater experience. Michael Caine is Hobbs the nighttime janitor at London Diamond who is virtually invisible to the exec! utives that work there but over the years has amassed a startling amount of knowledge about how the company runs. Hobbs has his own bone to pick with London Diamond. Observing Laura s frustration he convinces her to help him execute an ingenious plan to steal a hefty sum in diamonds. But unbeknownst to Laura Hobbs plans go even farther than he s let on and together they set in motion a thrilling heist of dizzying proportions the likes of which London has never seen.System Requirements:Running Time: 109 mintuesFormat: DVD MOVIE Genre: DRAMA/PSYCHOLOGICAL DRAMA Rating: PG-13 UPC: 876964001038 Manufacturer No: 10103It would be overpraise to propose that Flawless reviews itself with its title, but... how about "supremely decorous"? It is, at any rate, a film that merits a grateful salute from audiences weary of being beaten about the head and shoulders in pursuit of an engrossing caper movie. A plot to make off with a fortune in gems from England's premier diamond co! mpany unfolds without explosions, vrooming vehicles, or rapid-! fire sho otouts. It's like a feature-length variation on those sly, soft-spoken Alfred Hitchcock Presents episodes of the '50s, with the patient accumulation of mood, detail and character leading to wry twists and satisfying revelations. We are in 1960 and a London not yet disposed to swing. Laura Quinn (Demi Moore), the lone female officer of London Diamond Corporation, is smarter and more capable than her male colleagues, but that doesn't deter the company from promoting them over her while profiting from her talents. This has long since gotten old, so when Mr. Hobbs (Michael Caine), the mild-mannered night janitor, enlists her in a scheme to fill his thermos with two million pounds' worth of diamonds from the vault, she listens. Suffice it to say that the vault is penetrated according to plan--and then the real tension sets in. Things are not what they seem, even to those supposedly in the know (us, for instance), and distrust springs up between the conspirators as they fin! d themselves under close scrutiny by a steely investigator (Lambert Wilson).

All this is intelligently scripted by Edward A. Anderson (a maiden effort) and directed by Michael Radford with a crisp, unostentatious eye; the cold interiors of the Lon Di headquarters, generically oppressive on first sight, take on a nuanced familiarity as the place where, for the most part, Laura Quinn spends her life. Demi Moore--scarlet lips in a black-and-grey world--admirably catches Laura's not-quite-smothered ambition and frustration without breaking her cover, as it were. Michael Caine couldn't be better as Hobbs, an invisible man in plain sight (how many viewers fail to notice his first appearance in the film?); he's the master of his trade, but you knew that. There's a framing story, set more or less in the present, which seems to be an obligatory bow to feminism but sets up a tease or two of its own, then adds yet another twist to the proceedings. --Richard T. Jameson

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Grosse Pointe Blank

• Here is the killer comedy hit that is loaded with outrageous fun! For Martin Blank (John Cusack -Con Air), a hit man stuck in a career rut, attending his 10-year high school reunion is about the last thing he is in the mood for! But when the prospects of rekindling an old flame (Minnie Driver -Good Will) and pulling off one final job convince him to go, things are looking up.that is, until Martin

Here's the killer comedy hit that's loaded with outrageous fun! For Martin Blank (John Cusack -- HIGH FIDELITY, SERENDIPITY), a hit man stuck in a career rut, attending his 10-year high school reunion is about the last thing he's in the mood for! But when the prospects of rekindling an old flame (Minnie Driver -- GOOD WILL HUNTING) and pulling off one final job convince him to go, things are looking up ... that is, until Martin's arch rival (Dan Aykroyd) shows up aiming to blow the competition away! ! For hilarious comedy entertainment that's packed with action, GROSSE POINTE BLANK is a surefire knockout!Hit man Martin Q. Blank (John Cusack) is in an awkward situation. Several of them, actually. He's attending his high school reunion on an assignment; he's got a rival hit man (Dan Aykroyd) on his tail; and he's going to have to explain to his old girlfriend (Minnie Driver) why he stood her up on prom night. This amiable black comedy, cowritten by Cusack and directed by Jonathan Demme protégé George Armitage (Miami Blues), has the feel of Demme's Something Wild and Married to the Mob--which is to say its humor is dark and brightly colored at the same time. Cusack and Driver are utterly charming--as is the leading man's sister, Joan, who plays his secretary. (Ms. Cusack received an Oscar nomination for her next role, in In & Out.) Alan Arkin is also very funny as Martin's psychiatrist. --Jim Emerson

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The Road to Bonneville

• Feature Run Time: 61 Minutes
• + Over 45 minutes of Bonus Footage

Faced with the decision of a lifetime, Arvilla Holden (Jessica Lange) hijacks her two best friends (Kathy Bates, Joan Allen) and sets off in a vintage '66 Bonneville convertible across the great American West to deliver her husband’s ashes to her step-daughter. What begins as a simple trip, will end up becoming a chance to rediscover themselves, their friendship, the importance of promises - and of living life to the fullest.Sentimental, but not too sugary, Bonneville proves there's a road movie for every taste and demographic. While the testosterone-fueled Easy Rider took aim at the young and the disaffected, this female-centric offering targets a more mature, less cynical audience. After her husband, Joe, passes away, Arvilla (two-time Oscar winner Jessica Lange) faces the prospect of homelessness as he ! neglected to update his will. Her single-minded stepdaughter, Francine (Christine Baranski), now in possession of the property, intends to sell their Pocatello home if she doesn't hand over her father's ashes, so Arvilla and Mormon best friends Margene (Kathy Bates) and Carol (Joan Allen) pile into Joe's refurbished 1966 Bonneville Pontiac convertible with the urn and head to Santa Barbara. On their trip through Bryce Canyon, Lake Powell, the Vegas Strip, and other Western wonders, they meet helpful skateboarder Bo (Victor Rasuk, Raising Victor Vargas) and chivalrous trucker Emmett (Tom Skerritt), who takes a shine to the widowed Margene. Though nothing goes quite as planned, friendship helps smooth the bumpy ride from Idaho to California--and beyond. The characters in Bonneville may be older and wiser than the women of Thelma and Louise or Fried Green Tomatoes, in which Bates appeared, but this smaller-scale effort shares the same sisterly value! s and the central trio establishes a touching rapport. Supplem! ents inc lude a making-of featurette, deleted and alternate scenes, and a short gag reel. --Kathleen C. Fennessy

Beyond Bonneville on DVD

Watch Little Miss Sunshine on DVD

Check out Imagine Me & You on DVD

Stills from Bonneville (Click for larger image)

!

Join hot rod builder and filmmaker Brian Darwas as he rides shot gun with two of the most significantly influential hot rod builders of this generation for an epic cross country adventure that you will want to experience again and again. You've heard the stories and you've seen the photographs, but now for the first time you can ride along side of Ken Schmidt and Keith Cornell of The Rolling Bones as they travel over 2,300 miles, through ten states from New York to Nevada in their famous 1932 Ford Coupes, "The Wicked Sisters." Pit next to The Hop Up Race Team and The Bean Bandits at what most people consider to be the birth place of hot rodding, The Bonneville Salt Flats. Watch Dan Parker and the other members of The Rolling Bones Race Team hit the salt for Speed Week. Get on the ground with Keith Cornell while he swaps the gears out of a vintage Halibrand rear and stand next to Ken Schmidt as he gets under the hood to re-jet carbs between runs! Peer over the shoulder of renown hot rod photographer Peter Vincent while he shoots two of the world's most beautiful hot rods in one of the world's most beautiful settings, and witness The Rolling Bones hop in George Poteet's '32 roadster and hit speeds of up to 175 miles per hour! Get an in depth look inside the shop at Greenfield Center in New York. Go down to the Maxton Monster Mile in North Carolina for a test run, and travel all the way across the country to Bonneville for the time trails at Speed Week. This film is a true lesson in hot rodding that is not to be missed! - Feature run time approx. 61 minutes + over 45 minutes of bonus features! -

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NOW Foods Dopa Mucuna Mood Support 15% L-Dopa, 400mg, 90 Vcaps

• Mood Support*
• Standardized Velvet Bean Extract - Mucuna pruriens - 15% L-DOPA
• Vegetarian Formula

Dopamine is a neurotransmitter that promotes enjoyment and interest in life. Containing 15% L-DOPA (the immediate precursor of dopamine), NOW® DOPA Mucuna provides the body with what it needs to make this important neurotransmitter. Mucuna pruriens, commonly known as Velvet Bean, has been used in the traditional Ayurvedic system in India for thousands of years. NOW DOPA Mucuna is 100% vegetarian.*

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Deuces Wild : Widescreen Edition

• Widescreen

Take West Side Story, remove the music, add excessive profanity and violence, and you'll get Deuces Wild. It's an overripe melodrama in which rival street gangs--in this case Deuces vs. Vipers in 1958 Brooklyn--inevitably clash in a deadly rumble, preceded by shameless scenery-chewing from nearly everyone involved. Stephen Dorff plays the head Deuce, agonizing over his older brother's drug overdose and leading a cast of rising stars and familiar faces including Brad Renfro as Dorff's hot-tempered kid brother, Norman Reedus as the vicious lead Viper, Fairuza Balk as Renfro's no-nonsense girlfriend, and Matt Dillon (uncredited) as the kingpin who introduces heroin to Dorff's drug-free turf. Balthazar Getty, Frankie Muniz, and James Franco are also in the cast, suggesting that director Scott Kalvert was hoping for an unforgettable ensemble. What he got instead was a stal! e story crowded with percolating posers, recommended only for those who've never seen the 1979 street-gang classic The Warriors. --Jeff ShannonJapanese Release featuring Four Bonus Tracks: Polly's Birthday Boogie (W/Jules Holland), Hummingbird (W/Dion Warwick), Let the Good Times Roll (W/Zucceiro), and an Undecided Bonus Track.B.B. King, probably the most celebrated living blues player, has come a long way from Itta Bena, Mississippi, and this CD illustrates just how far. A series of guest shots by such artists as Van Morrison, Tracy Chapman, Eric Clapton, Mick Hucknall, Bonnie Raitt, Dr. John, Joe Cocker, Marty Stuart, the Rolling Stones, and Willie Nelson, Deuces Wild is far removed from the blues King played in the '40s and '50s. It's more like psychodrama, especially in the case of the Cocker track, "Dangerous Mood." Nobody here, celebrity notwithstanding, is just going through the motions. The album's crass concept is redeemed by, among others, dru! mmers Steve Jordan, Jim Keltner, and Charlie Watts. Although i! t's an o verblown international project with no affinity for the meaning of the blues, the players and their love for the music triumph. --Stanley Booth DVD

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