He Was a Quiet Man [Blu-ray]

• HE WAS A QUIET MAN BLU-RAY (BLU-RAY DISC)

Bob Maconel (Christian Slater) endures another eight hours in a dull grey cubicle. Ignored by his co-workers, Bob feels completely invisible and out of sync with the world. On one strange day he crosses the line from potential killer to inadvertent hero when he saves beautiful Venessa (Elisha Cuthbert). His Boss (William H. Macy) transforms Bob into a new man but his good fortune is short lived when the Object of his Desire asks him to end her life.Bob Maconel (Christian Slater) endures another eight hours in a dull grey cubicle. Ignored by his co-workers, Bob feels completely invisible and out of sync with the world. On one strange day he crosses the line from potential killer to inadvertent hero when he saves beautiful Venessa (Elisha Cuthbert). His Boss (William H. Macy) transforms Bob into a new man but his good fortune is short lived when the Obj! ect of his Desire asks him to end her life.

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Casa de Los Babys 20x26 Framed and Double Matted Movie Poster - Style A

• High quality framed art print
• Wood Frame with Double Matting
• Top Quality Crescent Matboard used for Double Matting
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Director John Sayles has long excelled in films driven by character-rich interpersonal relationships, and this tale of six disparate women who find themselves thrown together in a South American motel waiting for bureaucrats to process their adoption papers for a local orphanage is no exception. Sayles obviously handpicked this diverse collection of songs and styles to underscore the tropical mood and rich emotional tenor of his story, but his selections also display a playful delight in willfully debunking various Latin music sterotypes as well. The retro doo-wop of Las Zafiras, sultry ballads of Broadway star Rita Moreno and spare modernism of Lhasa prove that influences migrate freely b! oth ways across the equator, while Carlos Puebla and Ruben Blades display the compassion beneath their oft-politicized music. The collaborations of Mason Daring and Claudio Ragazzi (including the Moreno-performed "Quien Sera") further underscore the sense of pan-American richness that informs this compelling soundtrack from first cut to last. -- Jerry McCulleyAcclaimed filmmaker John Sayles captures six American women at one of the most emotionally charged moments of their liveseach on the verge of adopting a babyin this "compelling" (Chicago Tribune) drama set against the backdrop of a Latin-American town. Featuring an "inspired" (The Miami Herald) all-star cast, this poignant look at fate, maternity and clashing cultures is "as rich in ideas as it is in fine acting" (Los Angeles Daily News).John Sayles brings observant compassion and calm insight to Casa de los Babys, a fiercely independent film with a peerless ensemble cast. Dispensing with traditional s! torytelling to focus instead on the turbulent emotions surroun! ding the adoption of babies by American women in an unnamed South American country (filmed in Acapulco, Mexico), Sayles takes an unobtrusive approach to their dilemmas, listening (and filming) like an understanding friend to these hopeful women, who are either bound or separated by their disparate personalities. Sayles also covers both sides of the adoption equation by including a Latina mother (Vanessa Martinez), certain that her baby will enjoy a better life with adoptive American parents, but still struggling with the anguish of her sacrifice. This isn't on par with Sayles's best work (and reviews were predictably mixed), but there's not a false note anywhere, and the cast (including Daryl Hannah, Marcia Gay Harden, Maggie Gyllenhaal, Lili Taylor, Susan Lynch and Mary Steenburgen) is uniformly superb. Sayles isn't playing social commentator here, and that's to his credit. Instead, Casa de los Babys is a sensitive film about a sensitive subject, allowing viewers to draw the! ir own conclusions. --Jeff ShannonAcclaimed filmmaker John Sayles captures six American women at one of the most emotionally charged moments of their lives--each on the verge of adopting a baby--in this compelling drama set against the backdrop of a Latin American town. Featuring an inspired all-star cast, this poignant look at fate, maternity and clashing cultures is as rich in ideas as it is in fine acting.La organización que representa a los mejores pediatras de la nación, así como a las investigaciones y procedimientos más avanzados y actualizados en el área de los cuidados infantiles, responde a todas sus preguntas sobre la salud y educación de su hijo. Encontrará consejos útiles y tranquilizadores para educar y cuidar de su hijo, que abarcan desde los preparativos para el nacimiento del bebé y cómo enseñarle a su hijo a usar el baño, hasta cómo fomentar su autoestima.

También encontrará una guía indispensable para identificar y tratar lo! s problemas de salud más comunes durante la niñez, así como! instruc ciones detalladas para saber actuar en situaciones de emergencia.

Completo, preciso y actualizado, El cuidado de su hijo pequeño le ofrece:

• Recomendaciones fundamentales para cuidar de su hijo desde la lactancia hasta los cinco años

• Una guía sobre los logros evolutivos en los aspectos físico, emocional, social y cognoscitivo

• Una enciclopedia completa sobre salud infantil: lesiones, enfermedades, anomalías congénitas y otras discapacidades

• Consejos útiles para la seguridad de su hijo, dentro y fuera de casa, y en el auto

• Recomendaciones para elegir un buen programa de cuidado infantil

• Reflexiones sobre temas familiares, como la rivalidad entre hermanos, adopción, formación de una segunda familia y consejos prácticos para las madres que trabajan fuera de casa

• Y mucho más

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Awake

• Awake turns the disturbingly real phenomenon of anesthetic awareness - in which surgery patients, through completely paralyzed, are conscious of everything they are experiencing, including the pain - into a "completely absorbing" thriller (Roger Ebert). When failed anesthesia leaves a rich young tycoon (Hayden Christensen, Star Wars) alert but immobilized during open heart surgery, he over

AWAKE is a sexy, psychological thriller about a common occurrence called "anesthetic awareness" a horrifying phenomenon wherein a patient's failed anesthesia leaves him fully conscious but physically paralyzed during surgery. The patient's charming new wife is forced to struggle with her own demons as a terrifying drama unfolds around the couple.There's a hint of classic noir in the twists and turns that make up Awake, a medical thriller that hinges on an alarming real-life condition known as anesth! esia awareness, which keeps surgery patients awake but immobile during surgery. Hayden Christensen is top-billed as the scion of a wealthy banking family in desperate need of a heart transplant. Seconds after the operation commences, he discovers that he is fully conscious, yet unable to move; and what's worse, the entire procedure is slated to fail in order to claim his considerable fortune. Once the scheme is set in motion, Awake moves into high gear, and the stock characters established in the exposition-heavy opening show their true (and decidedly scurrilous) colors. Unfortunately, the suspense is undone by Christensen undergoing what appears to be a confusing out-of-body experience, and a conclusion that begs for more suspension of disbelief than most audiences will be able to summon up. Christensen and Jessica Alba (as his new bride) are attractive but bland; instead, it's Howard who delivers as the film's conflicted antihero. The supporting players, including ! Lena Olin as Christensen's overprotective mom, Christopher McD! onald, a nd Arliss Howard also lend considerable credence to the material. -- Paul Gaita

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Capturing the Friedmans

• Winner of the Grand Jury Prize at the 2003 Sundance Film Festival, and with over $3 million at the box office to date, Capturing The Friedmans is nothing short of the most riveting, provocative, and hotly debated films of the year. Despite their predilection for hamming it up in front of home-movie cameras, the Friedmans were a normal middle-class family living in the affluent New York suburb of G

Winner of the Grand Jury Prize at the 2003 Sundance Film Festival, and with over $3 million at the box office to date, Capturing The Friedmans is nothing short of the most riveting, provocative, and hotly debated films of the year. Despite their predilection for hamming it up in front of home-movie cameras, the Friedmans were a normal middle-class family living in the affluent New York suburb of Great Neck. One Thanksgiving, as the family gathers at home for a quiet holiday dinner, their front door ! explodes, splintered by a police battering ram. Officers rush into the house, accusing Arnold Friedman and his youngest son Jesse of hundreds of shocking crimes. The film follows their story from the public?s perspective and through unique real footage of the family in crisis, shot inside the Friedman house. As the police investigate, and the community reacts, the fabric of the family begins to disintegrate, revealing provocative questions about truth, justice, family, and -ultimately-truth. With an abundance of exclusive DVD bonus features supplied on a second disc, Capturing the Friedmans is sure to capture you and pin you to your seat.A Sundance Grand Jury prize winner and a true conversation starter, Capturing the Friedmans travels into one apparently ordinary Long Island family's heart of darkness. Arnold and Elaine Friedman had a normal life with their three sons until Arnold was arrested on multiple (and increasingly lurid) charges of child abuse. Becaus! e the Friedmans had documented their own lives with copious ho! me movie s, filmmaker Andrew Jarecki is able to sift through their material looking for clues. Yet what emerges is more surreal than fiction: the youngest Friedman son went to jail, the eldest became a birthday-party clown. In the end, we can't be sure whether Arnold Friedman is a monstrous child molester or the victim of railroading. The portrait of a disconnected family is deeply disturbing, either way, and this film is further proof that a documentary can be just as spellbinding as anything a great storyteller dreams up. --Robert Horton

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Desolation Angels #3 (The Big Empty)

• ISBN13: 9781595140081
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

One year ago, a devastating plague called Strain 7 killed three quarters of the human race. Around the world, power systems failed and supply chains screeched to a halt. The surviving population of the United States has been relocated to the coasts; the heartland is now a wasteland called The Big Empty. But seven teens trying to put their lives back together will learn that the abandoned zone holds danger, secrets, and above all, hope.

The Great Plains, known for grasslands that stretch to the horizon, is a difficult region to define. Some classify it as the region beginning in the east at the ninety-eighth or one-hundredth meridian. Others identify the eastern boundary with annual precipitation li! nes, soil composi-tion, or length of the grass. In The Big Empty, leading historian R. Douglas Hurt defines this region using the towns and citiesâ€"Denver, Lin-coln, and Fort Worthâ€"that made a difference in the history of the environment, politics, and agriculture of the Great Plains.

Using the voices of women homesteaders, agrarian socialists, Jewish farmers, Mexican meatpackers, New Dealers, and Native Americans, this book creates a sweeping survey of contested race relations, radical politics, and agricultural prosperity and decline during the twentieth century. This narrative shows that even though Great Plains history is fraught with personal and group tensions, violence, and distress, the twentieth century also brought about compelling social, economic, and political change.

The only book of its kind, this account will be of interest to historians studying the region and to anyone inspired by the story of the men and women who found an opportunity f! or a better life in the Great Plains.

In the third instal! lment of The Big Empty, the teens are on the run after making the shocking discovery that the leader of Novo Mundum, the secret community hidden in the middle of the evacuated Big Empty, is developing a new, even more dangerous virus.
The group faces a challenging trek through the forbidden zone as they search for someone they can trust. In a journey that will test their survival skills like nothing they've experienced so far, the teens' relationships are pushed to the breaking point, with one couple ripped apart for good. An unexpected reunion with someone from their past will prove to be a turning point-but will this familiar face bring salvation or ruin?

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The Man with No Name Trilogy (A Fistful of Dollars / For a Few Dollars More / The Good, The Bad, and the Ugly) [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Box set; Color; Dolby; DTS Surround Sound; Dubbed; Full Screen; Restored; Subtitled; Widescree

Sergio Leone “spaghetti westerns” did not simply add a new chapter to the genre…they reinvented it. From his shockingly violent and stylized breakthrough, A Fistful of Dollars, to the film Quentin Tarantino calls “the best-directed movie of all time,” The Good, the Bad and the Ugly, Leone’s vision did for westerns what talkies did for all movies back in the 1920s: it elevated them to an entirely new art form. Fully restored, presented in high definition with their best-ever audio, and including audio commentaries, featurettes and more, these films are much more than the definitive Leone collection...they are the most ambitious and influential westerns ever made.

A Fistfull Of Dollars
Clint Eastwood’s legendary “M! an With No Name” makes his powerful debut in this thrilling, action-packed classic in which he manipulates two rival bands of smugglers and sets in motion a plan to destroy both in a series of brilliantly orchestrated setups, showdowns and deadly confrontations.

For A Few Dollars More
Oscar® Winner Clint Eastwood** continues his trademark role in this second installment of the trilogy, this time squaring off with Indio, the territory’s most treacherous bandit. But his ruthless rival, Colonel Mortimer (Lee Van Cleef, High Noon), is determined to bring Indio in first...dead or alive!

The Good, The Bad And The Ugly
The invincible “Man With No Name” (Eastwood) aligns himself with two gunslingers (Lee Van Cleef and Eli Wallach) to pursue a fortune in stolen gold. But teamwork doesn’t come naturally to such strong-willed outlaws, and they soon discover that their greatest challenge may be to stay focused â€" and stay alive â€" in a! country ravaged by war.Review for A Fistful of Do! llars:
A Fistful of Dollars launched the spaghetti Western and catapulted Clint Eastwood to stardom. Based on Akira Kurosawa's 1961 samurai picture Yojimbo, it scored a resounding success (in Italy in 1964 and the U.S. in 1967), as did its sequels, For a Few Dollars More and The Good, the Bad and the Ugly. The advertising campaign promoted Eastwood's character--laconic, amoral, dangerous--as the Man with No Name (though in the film he's clearly referred to as Joe), and audiences loved the movie's refreshing new take on the Western genre. Gone are the pieties about making the streets safe for women and children. Instead it's every man for himself. Striking, too, was a new emphasis on violence, with stylized, almost balletic gunfights and baroque touches such as Eastwood's armored breastplate. The Dollars films had a marked influence on the Hollywood Western--for example, Sam Peckinpah's The Wild Bunch--but their most enduring legacy is Clint Eastwood himse! lf. --Edward Buscombe

Review for The Good, the Bad, and the Ugly:
If you think of A Fistful of Dollars and For a Few Dollars More as the tasty appetizers in Sergio Leone's celebrated "Dollars" trilogy of Italian "Spaghetti" Westerns, then The Good, the Bad, and the Ugly is a lavish full-course feast. Readily identified by the popular themes of its innovative score by Ennio Morricone (one of the bestselling soundtracks of all time), this cinematic milestone eclipsed its influential predecessors with a $1.2 million budget (considered extravagant in the mid-1960s), greater production values to accommodate Leone's epic vision of greed and betrayal, and a three-hour running time for its wide-ranging plot about the titular trio of mercenaries ("Good" Blondie played by rising star Clint Eastwood, "Bad" Angel Eyes played by Lee Van Cleef, and "Ugly" Tuco played by Eli Wallach) in a ruthless Civil War-era! quest for $200,000 worth of buried Confederate gold. Virtuall! y all of Leone's stylistic attributes can be found here in full fruition, from the constant inclusion of Roman Catholic iconography to a climactic circular shoot-out, along with Leone's trademark use of surreal landscapes, brilliant widescreen compositions and extreme close-ups of actors so intimate that they burn into the viewer's memory. And while some Leone fans may favor the more scaled-down action of For a Few Dollars More or the masterful grandiosity of Once Upon a Time in the West, it was The Good, the Bad, and the Ugly that cemented Leone's reputation as a world-class director with a singular vision. --Jeff Shannon

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